생활의 분산과 난해성의 기원 -1960년대 김수영 시를 중심으로

Abstract

This thesis focused on the introduction of life as a factor that forms the difficulty of Kim Soo-young's poetry. In the mid-1950s, Kim Soo-young paid attention to the details of life and added concreteness to the poem. By the 1960s, he showed two distinct aspects: poetry, which was framed by repetition of phrases and filled with concrete images of life, and poetry in which the secularities of life were exposed in a dizzying manner and sounded like noise. In a dizzying form of poetry, the meaning is not fixed in any one, but radiates in many ways, creating a chaotic appearance. The conflict of the poet, who neither ignores nor follows snobbery, is perceived in it. The difficulty here arises from the betrayal of the simple form and condensed meaning that poetry usually evokes. On the other hand, the poem, in which the repetition of verses was framed, gradually developed in the direction of erasing the details of life. But even in such a poem, fragments of life remained. The difficulties here come from not being comprehended by the code of autonomy. Paradoxically, the source of difficulties in Kim's poetry was life. Kim Soo-young's poetry proves that difficulty arises from the struggle of words to reach life, and that life is the origin and direction of words.