방정환의 번역동화 「체부와 굴뚝새」로 본 번역 특징 연구

Abstract

Through the text analysis of Bang Jung–hwan’s <CHEBU WA KULTTUKSE> and Hamada Hirosuke’s <KULTTUKSE>. it is largely divided into word variations and content variations. Through word variation, it was found that the context of the story was conveyed more realistically and vividly described. On the other hand, in terms of content, mutations occurred in two major places. In <KULTTUKSE> by Hirosuke Hamada, exchanges and communication between chimney birds, postmen, and small family members in the field are calmly depicted in poetic and suggestive sentences, and literary sensitivity was promoted, but a single element, the northern country, the middle winter, the desolate winter fields, the dark house, the elderly, and the snowstorming fields were emphasized, highlighting the feelings of isolation, loneliness, and darkness. On the other hand, Bang Jung–hwan’s <CHEBU WA KULTTUKSE> maintains the literary sensitivity of the original work to some extent, but increases the number of children to convert it into vitality and vitality. There is also a variation in the ending part. The part about God emphasized in the original work was deleted, and the good neighbor, the postman, who exists in the community, was highlighted to emphasize the emotional communication between the chimney bird and the postman. In this way, Bang Jung–hwan’s translation of <CHEBU WA KULTTUKSE> stood out, including realistic descriptions, vitality, sincere emotions, and emotional communication, especially reflecting the consideration and consciousness of the “Children” reader as the current other.