『중론』제5장 제6게송으로 읽는 말라르메의 「에로디아드의 결혼」 개작 동기

Abstract

Un Coup de Dés(1897), this poem is one of the most example of accomplishment of the poetic modernity. After this poem, Mallarmé, the poet of that poem, tried to complete Hérodiade in his last times. And the poem Hérodiade is newly composed as Les Nocesd’Hérodiade that is leaved as un unfinished work. This article is focused on the change from Hérodiade to Les Noces d’Hérodiade. Because there will be the intention of Mallarmé to embrace his works in the adaptation after the poem Un Coup de Dés. This article reads therefore the adaptation motive of Les Noces d’Hérodiade in 5-6 gatha of Nāgārjuna’s Mādhyamakaśāstra. Because the poetic end of Mallarmé is called a certain absolute, and the pursuit of Mallarmé is out of the metaphysics, so it is possible to compare the Mallarmé’s world with the Buddhist epistemology. As a result, after the poem Un Coup de Dés that expresses the recognition of the world by the sensibility that arrives at the Pure Conception, Les Noces d’Hérodiade should express the self recognition by the sensibility that arrives at the Pure Conception, for completing the poetic purpose, the recognition of the sensibility that arrives at the Pure Conception. So the marriage of Hérodiade, i. e. marriage with the death of the self, it is a must of the completion of Mallarmé’s pursuit. It is also inevitable to change from Hérodiade to Les Noces d’Hérodiade. And it is also necessary to complete Les Noces d’Hérodiade after Un Coup de Dés. The Diamond Sutra and Nāgārjuna’s Mādhyamakaśāstra help us to read Les Noces d’Hérodiade in this manner showing the recognition of the nirvana after the nirvana.