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베이징, 공간배치를 통한 문화정치

Beijing, Cultural Politics through Space Arrangement

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초록

Space is always political, ideological, and strategic due to the fact that it is created by intentional and social practices. If focused on the changing aspect of space, the entailment inherited in the changes of relevant society could be read. This writing will be focused on the reading scenery and space of Beijing. Especially, it is focused on the invisible territory that scenery and space create, in other words, the network, mind cultural influence between scenery and space, instead of individual scenery and space. The place and space that exist regionally have symbolisms themselves, but they also influence the entire society’s network and mind culture, functioning as a part of the whole. In this writing, it is attempted to read the social and historical contexts, which the creator of scenery and space faces, from the perspective of semiology of culture for the disassembling reading of scenery and space through the process of reorganization of space in Beijing. The writing tries to capture the various political symbolisms and strategies, included in the scenery and space from the perspective of th ecultural politics. Through this, I strive to contemplate upon the desire of China(Beijing) in the world, subsumption and rupture of China and Beijing, and new search.

Abstract

Space is always political, ideological, and strategic due to the fact that it is created by intentional and social practices. If focused on the changing aspect of space, the entailment inherited in the changes of relevant society could be read. This writing will be focused on the reading scenery and space of Beijing. Especially, it is focused on the invisible territory that scenery and space create, in other words, the network, mind cultural influence between scenery and space, instead of individual scenery and space. The place and space that exist regionally have symbolisms themselves, but they also influence the entire society’s network and mind culture, functioning as a part of the whole. In this writing, it is attempted to read the social and historical contexts, which the creator of scenery and space faces, from the perspective of semiology of culture for the disassembling reading of scenery and space through the process of reorganization of space in Beijing. The writing tries to capture the various political symbolisms and strategies, included in the scenery and space from the perspective of th ecultural politics. Through this, I strive to contemplate upon the desire of China(Beijing) in the world, subsumption and rupture of China and Beijing, and new search.

참고문헌 (29)

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