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다스랄, 디자인주간, 후토폴리스(胡同城) ― 베이징 남부(城南)의 도시재생과 문화의 (탈)정치

Dashilar, Beijing Design Week and Hutopolis: Urban Regeneration and Depoliticization/repoliticization in the South of Beijing

신현준|예룬 흐루너베헌-라우
한국중국현대문학학회 (The Korean Society Of Modern Chinese Literature)|2015.12|중국현대문학 (The Journal of Modern Chinese Literature)|제75호|pp. 145-182

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참고문헌

키워드

urban regenerationgentrificationBeijing/DashilarBeijing Design Week(BJDW)hutong/ hutopolis
주제분류중국어와문학

초록

Dashilar, an area in the southern part of old Beijing, had been culturally and economically marginalized, to the point where the ‘south city’ (南城/城南) gained the connotations of poverty, stagnation and uncouthness. Yet, since the late 2000s, it has been under profound spatial transformation by the implementation of the culture-led urban regeneration policy. The renovation of siheyuan (courtyard housing) and hutong (narrow alley), and the hosting of the Beijing Design Week (BJDW) marked the new phase of urbanization, which is definitely different from the dominant approach of urban development. Based on the revaluation of heritage buildings such as Xintiandi (in Shanghai) and cultural and creative industries such as 798 Art Zone (in Beijing), Dashilar shows a case of linking culture and creativity to a residential area. An urbanism called Hutopolis (胡同城), a visionary scenario for China’s urbanization, emerges out of these practices. This paper traces the processes that enable this and similar upgrading or gentrifying projects in Beijing, and connects them with the trends of urban governance. Although BJDW and Hutopolis have the negative side of functioning as another spectacle, the case of Dashilar shows that the local communities can be developed organically, at least theoretically, through complex processes of collaboration, conflict and contestation between government agencies, property developers, and cultural and creative industrie

Abstract

Dashilar, an area in the southern part of old Beijing, had been culturally and economically marginalized, to the point where the ‘south city’ (南城/城南) gained the connotations of poverty, stagnation and uncouthness. Yet, since the late 2000s, it has been under profound spatial transformation by the implementation of the culture-led urban regeneration policy. The renovation of siheyuan (courtyard housing) and hutong (narrow alley), and the hosting of the Beijing Design Week (BJDW) marked the new phase of urbanization, which is definitely different from the dominant approach of urban development. Based on the revaluation of heritage buildings such as Xintiandi (in Shanghai) and cultural and creative industries such as 798 Art Zone (in Beijing), Dashilar shows a case of linking culture and creativity to a residential area. An urbanism called Hutopolis (胡同城), a visionary scenario for China’s urbanization, emerges out of these practices. This paper traces the processes that enable this and similar upgrading or gentrifying projects in Beijing, and connects them with the trends of urban governance. Although BJDW and Hutopolis have the negative side of functioning as another spectacle, the case of Dashilar shows that the local communities can be developed organically, at least theoretically, through complex processes of collaboration, conflict and contestation between government agencies, property developers, and cultural and creative industrie

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