後期洒落本と『春香伝』に見える滑稽化方法について－ 「落ち」を中心に －

Abstract

Humor is an important and characteristic element in both later Syarebon and Pansori novel, TyunHyanCyon. In these popular love stories for the public in the contemporaneous era, which stories were unfolded in the red-light district, I would like to study and compare the specific methods used in both works in order to induce a laugh in terms of the structure of the story and its rhetoric (enumerations).Thereby,Iintendtoshowthehomogeneousnessand heterogeneousness of humorous expressions used in both Japan and Korea. Especially, I noted the similarity of punchline among rhetorics. While the punchline were similarly used as a common expression in order to induce a laugh in both works, its roles in both works were different. For instance, while punchline was used as an effective method to consummate the joke in Zitpensya Itku, Sikitei Samba and Sinrotei, it was mainly used to consummate enumeration in TyunHyanCyon. Unlike later Syarebon enumeration was often used in the long sentences of TyunHyanCyon and punchline frequently accompany the end of such enumeration. In the sentence where the speaker was disclosed, from my standpoint, effective direction was experimented by including punchline into the emphasized part of the story, which were developed by the method of enumeration. Prior studies showed that humor in Pansori novel was used to vulgarize and satirize the noble things. Although the equivalent of punchline was not found in these prior studies, it would be possible to view the punchline of this subject study with the similarity in those prior studies. The function of punchline in later Syarebon, however, does not mainly lie in vulgarizing or satirizing. As indicated above, I studied and compared the homogeneousness and heterogeneousnessofhumorousmethodsinbothlaterSyarebonand TyunHyanCyon by demonstrating the difference of its function despite using the same rhetoric.