소월 시 화법 연구

Abstract

Sowol’s poetry has been raised to a position of canon in the history of modern Korean poetry, which is not long. In keeping with this position, studies of Sowol’s poetry have been accumulated from the Japanese colonial era, the time of publication of the poems till quite recently, by a variety of perspectives. Rather, at this point of time, various evaluations and statements of methods of understanding Sowol’s poetry are likely to be tautological. Nevertheless, the problem that this study tries to explain is the tendency of critics and general readers, who still try to see Sowol poetry in the outline of orally transmitted poems or ballads. The influence of the first poet who grew receiving such a routine evaluation and the baptism of a new time of the modern era on literature is not consistent. Rather, in terms of writing style and narration, the base of the methodology of writing poems that Sowol’s poetry depends on is literate culture. Sowol’s poetry puts the context-dependent oral historicity which is possible only in mature literate culture onto the text. This phenomenon seems to preempt modernity as a form in a special context if measured from the perspective of media theory that identifies the formation of the modern era with the period of active propagation and use of character. In order to explain this, this study will first, identify the method of addressing the absence of the lover and pain arising from that by medium, the opportunity of versification in Sowol’s poetry; second, examine the relationship between deixis, which is often used in Sowol’s poetry and narration; and third, define the status of special narration of the introduction of non-context-dependent oral historicity in the literate culture, and argue that the narration of Sowol’s poetry is comprehensively stated by ‘literal direct narration.’ This study aims to identify a way of meta-communication that expresses this theme, rather than exploring the hidden theme of Sowol’s poetry. Characters will be the physical medium of communication, and styles of narration will be the relationship between subject and other, and the relationship between poet and reader, connected through the medium.