근대시형성기 시에서의 화법 변이 연구

Abstract

In modern literature, the concept of the partner of the speaker is assumed to be the audience or reader. In the communication system of written culture utilizing visual media, the concept of the ‘audience’ is problematic. This study would demonstrate how the poetry in oral culture enjoyed by a direct speech at a scene realizes direct speech in the indirectness of the written culture. This is the identity of a wide range of the contemporary poetry and at the same time, a problem deduced from the origin of poetry. Therefore, the subjects of research selected by this study in order to examine these aspects are the texts of poetry during the modern formative period. In modern poetry, the decisive influence on the direct speech of poetry is the readers’ horizon of expectation about schema and genre. While it has long encountered written culture, the schema of the genre replaces the label of direct speech. However, it can be inferred that a certain transitional phenomenon had existed from the poetry during the time of enlightenment which was before the schema of the genre was formed through the emergence of the modern free verses, the audience and the reader compete with each other. The purposes of this study are first, to demonstrate the status of the audience from the inside of written culture through an investigation of poetry texts during the formative period of Korean modern poetry, and second, to prove that these elements of direct speech are the historical trigger that formed the speech in modern poetry, circuitously. An analysis of the process of changes in para-texts, styles and directives of poetry during the time of enlightenment, new style poetry and prose poetry and texts of modern poetry in the early 1920s substitutes the methodology of this study. The process of these changes can be summarized as the movement of speech from situation-dependent oral statement to situation-independent oral statement.