현대 쿠바의 정체성 형성과 혼혈의 패러다임: 마르타 로하스의 반노예주의 소설 3부작을 중심으로
Construction of Identity in Contemporary Cuba and the Paradigm of mestizaje: Trilogy of Antislavery Narrative of Marta Rojas
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This article explores the Marta Rojas’ trilogy of antislavery narrative to elucidate that the Cuban Revolution has influenced and inspired an expression of Afro-Cuban identity. It means that this study focuses on contemporary Afro-Cuban cultural praxis after the collapse of the Soviet Union in 1989 and Cuba’s subsequent plunge into deep economic crisis. Unlike the traditional Cuban antislavery narrative, El columpio de Rey Spencer (1993), Santa lujuria (1998) and El harén de Oviedo (2003) introduce a different perspective of history, in which the author presents previously marginalized characters in history as the blacks, women and West Indian groups as active agents in the formation of Cuban identity.
Abstract
This article explores the Marta Rojas’ trilogy of antislavery narrative to elucidate that the Cuban Revolution has influenced and inspired an expression of Afro-Cuban identity. It means that this study focuses on contemporary Afro-Cuban cultural praxis after the collapse of the Soviet Union in 1989 and Cuba’s subsequent plunge into deep economic crisis. Unlike the traditional Cuban antislavery narrative, El columpio de Rey Spencer (1993), Santa lujuria (1998) and El harén de Oviedo (2003) introduce a different perspective of history, in which the author presents previously marginalized characters in history as the blacks, women and West Indian groups as active agents in the formation of Cuban identity.
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