자유의 주체와 주인의 성별: 19세기 초 쿠바 노예 서사에 재현된 권력과 젠더 담론
Subject of Liberty and Sex of Master: Power and Gender Discourse in 19th century Cuban Slave Narratives
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This study analyzes the concept of modern subjectivity focusing on the gender representation of female masters in Juan Francisco Manzano's Autobiografía (1836), Anselmo Suárez y Romero's Francisco, El ingenio o las Delicias del Campo (1839) and Félix Tanco y Bosmenie’s Petrona y Rosalía (1838). The narrators of these texts set the cause of the harsh and violent treatment of slaves by upper-class women as lack of rational ability and instability. Through this engendered characterization of masters, these texts internalize the modern subject as a specific man imagined by each narrator. In this regard, this analysis reveals how the modern subject in each text is constituted through the multifaceted characterization of female masters.
Abstract
This study analyzes the concept of modern subjectivity focusing on the gender representation of female masters in Juan Francisco Manzano's Autobiografía (1836), Anselmo Suárez y Romero's Francisco, El ingenio o las Delicias del Campo (1839) and Félix Tanco y Bosmenie’s Petrona y Rosalía (1838). The narrators of these texts set the cause of the harsh and violent treatment of slaves by upper-class women as lack of rational ability and instability. Through this engendered characterization of masters, these texts internalize the modern subject as a specific man imagined by each narrator. In this regard, this analysis reveals how the modern subject in each text is constituted through the multifaceted characterization of female masters.
참고문헌 (13)
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