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‘가능세계’와 팩션 서사

‘Possible Worlds’ Theory and narrative of faction

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In this study is researched into the narrative struktur and means of ‘faction'. In relation to this theme is discussed about narrative ’possible worlds’ theory. The neology ‘faction’ was made of the combination of ‘fact’ and ‘fiction’. That is a kind of artistic genre that create ‘new’ fact with athorial imagination addied to the as real deemed historical stories oder persons. Though ‘faction’ tells the fictional story, but that can evoke in some cases the readers more reality than in hiostorical presentation or text. The narrative ‘possible worlds’ theory that is argued under the scholars of ‘new’ narratology, premise that narrative text presents an alteranative world. In the perspective of theory of the narrative ‘possible worlds, the narrative worlds are classified the worlds as the ’actual world’(AW), the ‘textual actual world’(TAW) and the ‘textual referential world’(TRW). The actual world is the real world of out of text. The textual actual world is constituted from all elements or events described in the text. And there is a world which is refered by the textual actual world. That is just the textual referential world, namely the ‘possible worlds’. That is a world which can be infered from the textual actual world. To understand possible worlds in narrative Text, we should know the charcter and relationship of these three worlds. And from this we can grasp the feature and meanig of faction genre. The textual referential world in faction text will represent the real world, but that can be never realized. The textual referential world stays as the alternative world. But faction is regarded as a narrative form which makes textual referential world being in close vicinity to actual world. Faction searches for the truths which are suppressed and extincted by the formal historical texts. With this, faction attempts to get reality, though that stays only as possible world. This is the important point of faction and that distinguish between faction and other fictive forms of art.

Abstract

In this study is researched into the narrative struktur and means of ‘faction'. In relation to this theme is discussed about narrative ’possible worlds’ theory. The neology ‘faction’ was made of the combination of ‘fact’ and ‘fiction’. That is a kind of artistic genre that create ‘new’ fact with athorial imagination addied to the as real deemed historical stories oder persons. Though ‘faction’ tells the fictional story, but that can evoke in some cases the readers more reality than in hiostorical presentation or text. The narrative ‘possible worlds’ theory that is argued under the scholars of ‘new’ narratology, premise that narrative text presents an alteranative world. In the perspective of theory of the narrative ‘possible worlds, the narrative worlds are classified the worlds as the ’actual world’(AW), the ‘textual actual world’(TAW) and the ‘textual referential world’(TRW). The actual world is the real world of out of text. The textual actual world is constituted from all elements or events described in the text. And there is a world which is refered by the textual actual world. That is just the textual referential world, namely the ‘possible worlds’. That is a world which can be infered from the textual actual world. To understand possible worlds in narrative Text, we should know the charcter and relationship of these three worlds. And from this we can grasp the feature and meanig of faction genre. The textual referential world in faction text will represent the real world, but that can be never realized. The textual referential world stays as the alternative world. But faction is regarded as a narrative form which makes textual referential world being in close vicinity to actual world. Faction searches for the truths which are suppressed and extincted by the formal historical texts. With this, faction attempts to get reality, though that stays only as possible world. This is the important point of faction and that distinguish between faction and other fictive forms of art.

참고문헌 (19)

  1. 김기봉, "팩션(faction)으로서 역사서술", 역사와경계, (63), pp.1~21 (2007), 부산경남사학회
  2. 오세정, "신화의 가능세계와 의미론 : 가능세계의 특성과 관계를 중심으로", 시학과 언어학, (16), pp.207~225 (2009), 시학과언어학회
  3. 오세정, "신화, 판타지, 팩션의 서사론과 가능세계", 한국문학이론과 비평, 14(2), pp.429~454 (2010), 한국문학이론과비평학회
  4. 이숙, "팩션소설 연구 서설", 현대문학이론연구, (40), pp.321~339 (2010), 현대문학이론학회
  5. 폴 벤느, "역사는 어떻게 쓰는가" (2004), 새물결
  6. Doležel, Lubomir, "Mimesis and Possible World", Poetics Today, 9, pp.3~ (1988)
  7. Doreen, Maitre, "Literature and Possible Worlds" (1983)
  8. Fleischhauer, Wolfram, "Das Buch, in dem die Welt verschwand" (2004)
  9. Fludernik, Monika, "Beyond Structuralism in Narratology: Recent Developments and New Horizons in Narrative Theory", Anglistik, 11(1) (2000)
  10. Kehlmann, Daniel, "Die Vermessung der Welt" (2005)
  11. Nünning, Ansgar, "Neue Ansätze in der Erzähltheorie" (2002)
  12. Nünning, Ansgar, "Neue Ansätze in der Erzähltheorie" (2002)
  13. Ronen, Ruth, "Possible Worlds in Literary Theorie" (1994), Cambridge University Press
  14. Maitre, Doreen, "Literature and Possible Worlds" (1983)
  15. Ryan, Maire-Laure, "Possible Worlds and Accessbility Relations. A Semantic Typology of Fiction", Poetics Today, 12(3) (1991)
  16. Ryan, Marie-Laure, "Possible Worlds in Recent Literary Theory", Style, 26(4) (1992)
  17. Suhrkamp, Carola, "Neue Ansätze in der Erzähltheorie" (2002)

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