紅樓夢 플롯의 선택적 재현과 시각화 ― 孫溫 紅樓夢 畵冊을 중심으로
Selective Reproduction and Visualization of Hongloumeng Plots ― Focusing on Sun Wen's Hongloumeng Picture book
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
In this paper, through Sun Wen's Hongloumeng picture book created in the Qing Dynasty, I tried to examine what scenes Sun Wen, the reader of the novel Hongloumeng and the creator of the picture book, took from the plot of the novel and why. First, looked for the cause in the characteristics of the original Hongloumeng itself. The imagery of the original text is the most suitable element for visualization, and it has become an inevitable object of representation for the painter. Next, I looked into it based on the creative purpose of Sun Wen, a reader and secondary creator. Sun Wen considered whether it would match the appearance of the Honglou world that he wanted. Finally, I analyzed Sun Wen's picture book through the structural perspective of the pictorial narrative. The scenes Sun Wen selected are essential to express the theme consciousness in the structure of the pictorial narrative of the entire picture book. Through this, we confirmed the great influence of the Hongloumeng on metatext. And it has been identified that the attitude and competence of the artist as a reader and creator plays a key role in the creation of a picture book.
Abstract
In this paper, through Sun Wen's Hongloumeng picture book created in the Qing Dynasty, I tried to examine what scenes Sun Wen, the reader of the novel Hongloumeng and the creator of the picture book, took from the plot of the novel and why. First, looked for the cause in the characteristics of the original Hongloumeng itself. The imagery of the original text is the most suitable element for visualization, and it has become an inevitable object of representation for the painter. Next, I looked into it based on the creative purpose of Sun Wen, a reader and secondary creator. Sun Wen considered whether it would match the appearance of the Honglou world that he wanted. Finally, I analyzed Sun Wen's picture book through the structural perspective of the pictorial narrative. The scenes Sun Wen selected are essential to express the theme consciousness in the structure of the pictorial narrative of the entire picture book. Through this, we confirmed the great influence of the Hongloumeng on metatext. And it has been identified that the attitude and competence of the artist as a reader and creator plays a key role in the creation of a picture book.
참고문헌 (10)
- 아리스토텔레스, "아리스토텔레스의 시학" (1989), 仁義
- Forster, E.M, "소설의 이해" (1989), 문예출판사
- 김천혜, "소설 구조의 이론" (1991), 문학과 지성사
- 曹雪芹, "紅樓夢" (1996), 人民文學出版社
- 劉廣堂, "清孫溫全本紅樓夢" (2004), 作家出版社
- 曹雪芹, "홍루몽" (2009), 나남
- 房學蕙, "卷帙浩繁, 富麗精雅——旅順博物館藏≪紅樓夢≫圖冊探析", 榮寶齋 (2007)
- 공성수, "근대 소설 형성기 번안소설 삽화의 구성 원리 연구 — 『매일신보』에 연재된 조일재의 번안소설 삽화를 중심으로", 한국문학이론과 비평, 17(4), pp.141~180 (2013), 한국문학이론과비평학회
- 高雁, "＜紅樓夢＞圖文關系的審美嬗變", 博士, pp.2017
- 霍願願, "孫溫＜紅樓夢＞繪本中場景的繪畵語言探析", 碩士, pp.2019