이퇴계의 『성학십도』에 담긴 시적 지혜와 형상적 사유
Poetic Wisdom and Imaginal Thinking in T’oegye’s “Ten Diagrams of Sage-Learning”
1
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
This paper attempts to explore the poetic wisdom and imaginal thinking in T’oegye’s “Ten Diagrams of Sage-Learning”. For T’oegye, diagrams as formal elements in this Confucian work are not only external forms but convey inner meaning. T’oegye presented these diagrams by pictures and letters. The genre written in “Ten Diagrams” are basically inscription and exhortation. The Chinese sages long ago recognized the necessity of keeping oneself admonished by carving sayings on his carriage and desks. The pithy phrase is required by these genres. T’oegye’s literary presentations of “Ten Diagrams” are explored in the paper. Furthermore, this paper tries to elucidate the imaginal thinking exercised in the formation of these ten diagrams. The usage of some particular Chinese calligraphy, the size and shape of some letters and the lines connecting those letters are significantly remarkable. These poetic and imaginal elements are profound and deserve close investigation.
Abstract
This paper attempts to explore the poetic wisdom and imaginal thinking in T’oegye’s “Ten Diagrams of Sage-Learning”. For T’oegye, diagrams as formal elements in this Confucian work are not only external forms but convey inner meaning. T’oegye presented these diagrams by pictures and letters. The genre written in “Ten Diagrams” are basically inscription and exhortation. The Chinese sages long ago recognized the necessity of keeping oneself admonished by carving sayings on his carriage and desks. The pithy phrase is required by these genres. T’oegye’s literary presentations of “Ten Diagrams” are explored in the paper. Furthermore, this paper tries to elucidate the imaginal thinking exercised in the formation of these ten diagrams. The usage of some particular Chinese calligraphy, the size and shape of some letters and the lines connecting those letters are significantly remarkable. These poetic and imaginal elements are profound and deserve close investigation.
참고문헌 (24)
- 郭紹虞, "中國歷代文論選 上冊" (1980), 木鐸出版社
- 劉勰, "文心雕龍" (1984), 里仁書局
- "增補退溪全書" (1985), 成均館大學校 大東文化研究院
- 李光虎, "從『聖學十圖』看退溪李滉的聖學觀 in: 東亞視域中的近世儒學文獻與思想", pp.330~331 (2005), 臺大出版中心
- Thomas Goddard Bergin, "The New Science of Giambattista Vico" (1988), Cornell University Press
- 朱光潛, "新科學" (1989), 商務印書館
- 陳昭瑛, "詩與歷史︰維科『新科學』中的詩學", ~
- William K. Wimsatt, Jr., "Literary Criticism: A Short History", pp.246~ (1957), Alfred A. Knopf
- Erich Auerbach, "Vico and Aesthetic Historicism in: Scenes from the Drama of European Literature", pp.190~ (1959), University of Minnesota Press
- Hazard Adams, "Critical Theory Since Plato", pp.293~ (1971), Harcourt Brace Jovanovich, INC.
- "新科學", ~
- 費爾巴哈, "基督敎的本質" (1994), 商務印書館
- 黑格爾, "美學" (1981), 里仁書局
- T. M. Knox, "Hegel, Aesthetics vol. I", pp.316~ (1975), Oxford University Press
- 加達默爾, "眞理與方法" (1999), 上海譯文出版社
- 高亨, "周易大傳今注" (1979), 齊魯書社
- 朱熹, "朱子全書" (2002), 上海古籍出版社
- 陳榮捷, "朱子新探索", pp.370~ (1988), 臺灣學生書局
- 朱熹, "四書章句集注", pp.64~ (1983), 中華書局
- 丁淳佑, "朝鮮儒學中的知識與德性問題︰以李滉, 許筠爲中心 in: 東亞視域中的茶山學與朝鮮儒學" (2006), 臺大出版中心
- 陳昭瑛, "臺灣儒學︰起源, 發展與轉化", pp.55~60 (2000), 正中書局
- 陳昭瑛, "淸代台灣書院學規中的朱子學 in: 臺灣與傳統文化(增訂再版)" (2005), 臺大出版中心
- 王甦, "退溪學論集" (1992), 文史哲出版社
- 朱尊, "點校補正經義考" (1997), 中央究院中國文學哲學究所
