근대언론을 통해 본 청말 해외유람기의 商業化와 政論化 — 王韜와 梁啓超를 중심으로
Commercialization and Politicization of Occidental Travel Notes in Late Qing Dynasty Seen through Newspaper Media — A Study Centered on Wang Tao and Liang Qichao’s Occidental Travel Notes
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As the Qing Dynasty began to weaken from the early 19th century, the Western powers began to infiltrate into China again, and various Western cultural systems also flowed into China in earnest, one of which was media culture. Westerners published newspapers and magazines in foreign languages in China between 1858 and 1894. This was aimed at Westerners in China, but it also has a significant impact on the formation of modern Chinese media. Western media culture has set the stage for a new presentation of modern overseas abandonment. Twenty years after returning home from a trip to Europe, Wang Tao (王韜) posted ≪Manyousuilu (漫遊隨錄)≫, a travelogue in the form of a combination of writings and paintings, on ≪DianshizhaiHuabao (點石齋畫報)≫, an annex to ≪Shenbao (申報)≫. Through this, Wang Tao was able to more actively spread his political reform ideology, in addition to introducing new and eccentric Western objects. Liang Qichao (梁啓超) sought to bring about a more practical enlightenment effect for the nation and its people through the ≪Xindalu Youji (新大陸遊記)≫ and the late Qing Dynasty media for the realization of a “power” in the public sector.
Abstract
As the Qing Dynasty began to weaken from the early 19th century, the Western powers began to infiltrate into China again, and various Western cultural systems also flowed into China in earnest, one of which was media culture. Westerners published newspapers and magazines in foreign languages in China between 1858 and 1894. This was aimed at Westerners in China, but it also has a significant impact on the formation of modern Chinese media. Western media culture has set the stage for a new presentation of modern overseas abandonment. Twenty years after returning home from a trip to Europe, Wang Tao (王韜) posted ≪Manyousuilu (漫遊隨錄)≫, a travelogue in the form of a combination of writings and paintings, on ≪DianshizhaiHuabao (點石齋畫報)≫, an annex to ≪Shenbao (申報)≫. Through this, Wang Tao was able to more actively spread his political reform ideology, in addition to introducing new and eccentric Western objects. Liang Qichao (梁啓超) sought to bring about a more practical enlightenment effect for the nation and its people through the ≪Xindalu Youji (新大陸遊記)≫ and the late Qing Dynasty media for the realization of a “power” in the public sector.
참고문헌 (49)
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