다니자키 준이치로(谷崎潤一郞)와 영화 - 영화요소의 문학작품으로의 도입 시기를 중심으로 -
Junichiro Tanizaki and Cinema - Mainly on the introduction time to the literary work of the movie element -
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Should have come and gone the height from when sees a motion picture and it starts, why it will reach with the material of the literary work of oneself it makes, regarding the reason and the point of view it tried to observe. The bedspread wool other the troublesome nose came and went with 1905 France motion picture month world-wide travel height work position comparison of the smallness which it carries on shoulder to lead, should have come and gone the height gave proof from 1905 as seeing a motion picture. It saw and it boiled and with the character which will reach petty compared to the result which it tracks, came and went height 1897 Februaries and 10 flesh were thick to do, the first the beginning flag movie man height your toe which lands su the nose phu it saw it will be able to confirm in Tokyo. Also, the point of view which notifies beforehand the influx with literature of motion picture element knew 1907 is. Should have come and gone the height with course problem of younger sibling three intelligence with the younger sibling will reach from the letter which it exchanges and it will be able to grasp. That should have come and gone the height will draw in a motion picture really with literature of oneself, the time which it expresses was 1922 after. Reason should have come and gone the height the body with management deterioration of the die show film company which it is putting in about lower, should have come and gone height probably literature in crossroad of the selection motion picture probably is put and. Namely, it wants motion picture but it is to be a condition which is not the possibility of doing. Also, comes and goes the height the essay to lead, the motion picture provides the idle fancy motive power of the literary work is becoming from the side the place where it is indicating, it will reach and to lead it attempted the introduction with literature of motion picture element there is a possibility of knowing.
Abstract
Should have come and gone the height from when sees a motion picture and it starts, why it will reach with the material of the literary work of oneself it makes, regarding the reason and the point of view it tried to observe. The bedspread wool other the troublesome nose came and went with 1905 France motion picture month world-wide travel height work position comparison of the smallness which it carries on shoulder to lead, should have come and gone the height gave proof from 1905 as seeing a motion picture. It saw and it boiled and with the character which will reach petty compared to the result which it tracks, came and went height 1897 Februaries and 10 flesh were thick to do, the first the beginning flag movie man height your toe which lands su the nose phu it saw it will be able to confirm in Tokyo. Also, the point of view which notifies beforehand the influx with literature of motion picture element knew 1907 is. Should have come and gone the height with course problem of younger sibling three intelligence with the younger sibling will reach from the letter which it exchanges and it will be able to grasp. That should have come and gone the height will draw in a motion picture really with literature of oneself, the time which it expresses was 1922 after. Reason should have come and gone the height the body with management deterioration of the die show film company which it is putting in about lower, should have come and gone height probably literature in crossroad of the selection motion picture probably is put and. Namely, it wants motion picture but it is to be a condition which is not the possibility of doing. Also, comes and goes the height the essay to lead, the motion picture provides the idle fancy motive power of the literary work is becoming from the side the place where it is indicating, it will reach and to lead it attempted the introduction with literature of motion picture element there is a possibility of knowing.
참고문헌 (13)
- 영화진흥공사, "영화이론총서 영화용어해설집", pp.436~ (1995), 한국영화진흥공사
- "趣味之友第二十四号)青空文庫作成ファイル"[URL]
- 川本三郎, "大正幻影", pp.105~106 (1997), 筑摩書房
- 紅野敏郎, "一九一○․二○年代作家と日本映画―谷崎潤一郎の発言を中心に―", pp.48~51 (1983), 学灯社
- 佐藤忠男, "日本映画の成立した土台(日本映画史1)", pp.3~ (1985), 岩波書店
- 谷崎潤一郎, "谷崎潤一郎全集" (1974), 中央公論社
- 塚田嘉信, "日本映画史の研究―活動写真渡来前夜の事情―", pp.54~ (1980), 現代書館
- 西原大輔, "谷崎潤一郎とオリエンタリズム―大正日本の中国幻想―", pp.144~265 (2003), 中公叢書
- 福原駿雄, "谷崎潤一郎の作品と活動写真", キネマ旬報, (27), pp.20~21 (1920), キネマ旬報社
- 筈見恒夫, "映画五十年年史", pp.62~ (1942), 鱒書房版
- 山本笑月, "明治世相百話" (1936), 第一書房
- 四方田犬彦, "谷崎潤一郎の映画体験; 国文学", pp.40~48 (1998), 学灯社
- 中央新聞, "塚田嘉信 日本映画史の研究―活動写真渡来前夜の事情―(現代書館, 1980)", pp.54~ (1897), 再引用
