谷崎潤一郎の作品における「映画」の機能 －「人面疽」(1918)の分析を中心に－
Aspects of Film Media in Tanizaki Junichiro’s Novels -Focusing on “Jinmenso”(1918)-
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This article looks into Tanikazki Junichiro’s novel “Jinmenso” to explore his aspiration towards the film media. His perception of the film media is displayed in his essay “The Present and Future of Moving Pictures”, published around the time he was conceiving “Jinmenso”. In this essay Tanizaki paid attention to one of the aspects of film - ‘looking and feeling real’. As film makes any fictional world seem true, the audience can experience both reality and fantasy. Tanizaki focused on this borderlessness of cinema and wrote the novel “Jinmenso”. The short novel contains several borderlessness factors. In terms of form, Tanizaki introduced screenplay writing into the novel. Content-wise, as the movie world in the novel influences the novel world, the double structure plot of movie-in-novel becomes ambiguous. The story is told in rumors which also have the effect of breaking the border between truth and lies. The borderlessness shown in “Jinmenso” is actually the borderlessness of the film media. Tanizaki firmly believed that by using this characteristics of film he might navigate the world of the ‘real’ fictional world, which his stories were aimed at.
Abstract
This article looks into Tanikazki Junichiro’s novel “Jinmenso” to explore his aspiration towards the film media. His perception of the film media is displayed in his essay “The Present and Future of Moving Pictures”, published around the time he was conceiving “Jinmenso”. In this essay Tanizaki paid attention to one of the aspects of film - ‘looking and feeling real’. As film makes any fictional world seem true, the audience can experience both reality and fantasy. Tanizaki focused on this borderlessness of cinema and wrote the novel “Jinmenso”. The short novel contains several borderlessness factors. In terms of form, Tanizaki introduced screenplay writing into the novel. Content-wise, as the movie world in the novel influences the novel world, the double structure plot of movie-in-novel becomes ambiguous. The story is told in rumors which also have the effect of breaking the border between truth and lies. The borderlessness shown in “Jinmenso” is actually the borderlessness of the film media. Tanizaki firmly believed that by using this characteristics of film he might navigate the world of the ‘real’ fictional world, which his stories were aimed at.
참고문헌 (15)
- 谷崎潤一郎, "谷崎潤一郎全集 第5巻所収" (1981), 中央公論社
- 谷崎潤一郎, "谷崎潤一郎全集 第20巻所収" (1981), 中央公論社
- 川本三郎, "大正幻影", pp.123~144 (1997), 筑摩書房
- 廣野由美子, "批評理論入門", pp.109~110 (2005), 中公新書
- 網野義紘, "｢人面疽｣ の出典と主題について", 日本文学(立教大学), 39, pp.51~55 (1977)
- 佐藤未央子, "谷崎潤一郎｢人面疽｣ における<純映画劇>的可能性――大正活映による映画化の試みを手がかりとして――", 日本文学, 63(12), pp.22~32 (2014)
- 柴田希, "｢人面疽｣ の<恐怖>ー谷崎の映画理念と観る行為の可能性", 早稲田大学大学院教育学研究科紀要, 21(2), pp.37~48 (2014)
- 新保邦寛, "｢人面疽｣ 論―＜活動写真的な小説＞から文明批評小説へ", 稿本近代文学, (19), pp.26~33 (1994)
- 土佐亨, "谷崎文学典拠雑考―｢人面疽｣｢美食倶楽部｣｢青塚氏の話｣―", 金沢大学語学・文学研究, 10, pp.15~20 (1980)
- 張栄順, "谷崎潤一郎の｢人面疽｣ 論―大衆文化としての｢映画劇｣の成立と谷崎潤一郎―", 文学研究論集, 17, pp.141~154 (2000)
- 真杉秀樹, "複製技術時代の怪異―｢人面疽｣ 論", 解釈学, 8, pp.79~90 (1992)
- 西山康一, "二〇世紀の文学<視覚>の変容と文学―映画・衛生学と谷崎潤一郎｢人面疽", 文学, 3(6), pp.153~168 (2001)
- 永栄啓伸, "谷崎潤一郎と映画について―全集未収録逸文を中心に―", 皇学館論集, 21(2), pp.23~34 (1988)
- 野崎歓, "｢映画的言語の実験｣―｢人面疽｣(｢谷崎潤一郎と異国の言語｣ 所収)", pp.121~162 (2003), 人文書院
- 山中剛史, "銀幕の夢魔―谷崎潤一郎｢人面疽｣ 攷", 芸文攷, 7, pp.111~132 (2002)