근대 거사불교와 근대적 글쓰기 전략 - 백화 양건식과 蘇曼殊를 중심으로 -

Abstract

This paper shows how the mechanism of literature appears on Modern literature, exploring into the origin of Modern-Buddhist literature in Korea and China. It is no doubt that Yang Geon-Sik and Su Man-Shu's literature embody Buddhistic sprit, and connect with tradition and modern. Thus, we can verify that Yang Geon-Sik and Su Man-Shu's Buddhistic literature had been advanced to a pattern of aesthetics, and there is the mechanism of mind being supposed to be a reliable authority on the relationship between Modernism and buddhism in their literature. First is the discovery of modern tragic sprit. Through their pieces, they could understand the meaning of a solitary person who is described with loneliness and confession. Second is the discovery of a sprit of modern liberty. In modern time of East Asia being clash with complicated society and idea, a comfort which they gained through their works is that embodiment of sympathy or mercy. Thirty, rediscovery of a sprit of modern liberty is that a problem how literary result reflect in actuality, that is associated with literary identity of nation and race.