스트릿 댄스에 내재된 몸성
The bodiness inherent in street dance
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초록
Street dance is a bodice expressive dance and has a popular cultural charac-teristic. Bodiness has a strong learning motivation and collectivity through a sys- tem of active and voluntary participation within the street dance culture. This is because street dance is recognized for its own identity within a group, strength- ens its identity through its own body, and has an attitude of positively accepting newness and progressive situations. The cultural open system and complexity of street dance lead to a synchronized movement that reinforces individual bodice. Consciousness and movement synchronized within the group are not dictatorial attitudes that ignore or do not recognize differences, but new dynamic emergence occurs in the process of flexible, accepting, and respecting differences. dynamic is one of the important characteristics of bodice, and the body is not always un- changed or fixed, but constantly interacts with the world and exchanges informa- tion, so bodice makes a difference in mutual influence through such a dynamic connection. street dance can establish a dynamic relationship through multi-layered con- nection and mutual communication between individuals, and the connection through the body soon develops into a strong motivational movement. The emer- gence of the bodiness of street dance ultimately has a form of living a self-reliant life. Above all, the cultural evolution of street dance also has the characteristics of street dance because it pursues newness and challenge through dynamic connec- tion, shares fear and unfamiliar situations within a group, solves and internalizes them as positive experiences.
Abstract
Street dance is a bodice expressive dance and has a popular cultural charac-teristic. Bodiness has a strong learning motivation and collectivity through a sys- tem of active and voluntary participation within the street dance culture. This is because street dance is recognized for its own identity within a group, strength- ens its identity through its own body, and has an attitude of positively accepting newness and progressive situations. The cultural open system and complexity of street dance lead to a synchronized movement that reinforces individual bodice. Consciousness and movement synchronized within the group are not dictatorial attitudes that ignore or do not recognize differences, but new dynamic emergence occurs in the process of flexible, accepting, and respecting differences. dynamic is one of the important characteristics of bodice, and the body is not always un- changed or fixed, but constantly interacts with the world and exchanges informa- tion, so bodice makes a difference in mutual influence through such a dynamic connection. street dance can establish a dynamic relationship through multi-layered con- nection and mutual communication between individuals, and the connection through the body soon develops into a strong motivational movement. The emer- gence of the bodiness of street dance ultimately has a form of living a self-reliant life. Above all, the cultural evolution of street dance also has the characteristics of street dance because it pursues newness and challenge through dynamic connec- tion, shares fear and unfamiliar situations within a group, solves and internalizes them as positive experiences.
참고문헌 (6)
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- 몸문화연구소, "몸의 철학" (2021), 필로소픽
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- 윤지현, "초연결 사회 춤 교육의 창발 조건", 한국예술연구, 20, pp.49~70 (2018), 한국예술종합학교 한국예술연구소
- 조광제, "몸의 매체성과 매체의 몸성 : 맥루언의 매체론에 대한 존재론적인 고찰", 시대와 철학, 14(1), pp.353~371 (2003), 한국철학사상연구회
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