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스트릿 댄스의 배틀문화적 특성

The battle-cultural characteristic of street dance

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This study considered the characteristics of battle culture through the elements of battle culture in street dance. The battle culture is a post-spatial dance party to expand his/her own space based on the pursuit of united body while pursuing the horizontal competitive structure, taking the open structure showing the whole process, and feeling amusement with music played by DJ based on the sports tournament form emphasizing fairness and equity. Therefore, it aims for a meaningful cultural place where judges, dancers, and audience could all harmonize, coexist, and interact together. Like this, the battle culture has its own unique elements that cannot be found from other genres, and these elements coexist within an organic relation. Instead of the competition-oriented culture to contend just for victory, it is based on the process-oriented culture to pursue viewing each other in the equal & horizontal relation, beyond race, religion, nationality, and social status. Considering these characteristics, the battle culture is not a partial performance of street dance, but a central medium that develops street dance through competition and evaluation in the open system. Thus, the street dance should be more developed by emphasizing and systematizing the characteristics of battle culture.

Abstract

This study considered the characteristics of battle culture through the elements of battle culture in street dance. The battle culture is a post-spatial dance party to expand his/her own space based on the pursuit of united body while pursuing the horizontal competitive structure, taking the open structure showing the whole process, and feeling amusement with music played by DJ based on the sports tournament form emphasizing fairness and equity. Therefore, it aims for a meaningful cultural place where judges, dancers, and audience could all harmonize, coexist, and interact together. Like this, the battle culture has its own unique elements that cannot be found from other genres, and these elements coexist within an organic relation. Instead of the competition-oriented culture to contend just for victory, it is based on the process-oriented culture to pursue viewing each other in the equal & horizontal relation, beyond race, religion, nationality, and social status. Considering these characteristics, the battle culture is not a partial performance of street dance, but a central medium that develops street dance through competition and evaluation in the open system. Thus, the street dance should be more developed by emphasizing and systematizing the characteristics of battle culture.

참고문헌 (10)

  1. 김서연, "힙합의 문화적 성격과 관련한 힙합 패션의 특성 연구", 복식문화연구, 9(5), pp.747~758 (2001), 복식문화학회
  2. 김수지, "국내 스트릿 댄스 배틀의 유형별 현황 분석", 석사, pp.2017
  3. 박수현, "배틀에 대한 스트릿 댄서의 인식 및 준비실태 조사", 석사, pp.2017
  4. 안진상, "마당놀이의 역사적 전개와 문화산업적 성과 : 극단 '미추'의 마당놀이를 중심으로", 석사, 국악중등교육전공, pp.2012
  5. 이주연, "국내 스트릿 댄스 배틀의 심사기준 분석", 석사, pp.2017
  6. 이주영, "힙합댄스에 내재된 의식과 소통방식", 한국무용교육학회지, 28(1), pp.177~189 (2017), 한국무용교육학회
  7. 이하늘, "스트릿 댄스 활성화 방안연구", 석사, pp.2017
  8. 정유진, "포스트모던 페미니즘 관점으로 본 왁킹댄스 양식연구", 박사, pp.2015
  9. 최정은, "스트릿 댄서의 성격과 배틀 참여 시 발생하는 불안 및 심리기술 간의 관계", 코칭능력개발지, 17(4), pp.78~83 (2015), 한국코칭능력개발원
  10. 최종환, "한국 힙합댄스의 발전과정과 가치인식", 박사, 무용학과 현대무용전공, pp.2012

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