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스트릿 댄스의 창발과 상전이

Emergence and phase transition of street dance

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Street dance can be said to be an open system that constantly collides by ex-changing other substances, energy, form and form, and information existing be- tween the external environment of the system and the internal environment around the system. The street dance system is composed of numerous subsystems, and the subsystem has numerous elements that make up it. All of these components have individual characteristics, rather than taking the same property, shape, method, and each element is a cultural system in which creative ideas emerge by forming a composition in various ways while forming collective interactions rather than individual ones. Street dance complexity follows a process of multiple causation, not a process dominated or subordinated by any individual style, any inheritance and law of causation. In addition, it is not limited to a specific individual or group and can be said to be a process that proceeds in a complexly intertwined relationship. Street Dance battle culture is not only pursued by competition, but rather includes a sense of belonging, respect, respect, and altruism. Also, since this relationship is not linear and appears unpredictably nonlinear and non-equilibrium, the exchange is not one-way. If the survival of today's culture depends on social change, that is, how to ac- commodate the external environment, the continuous cultural survival of street dance is caused by chance, improvisation, and openness rather than inevitability, which is changed by the level predicted by systematic logic. The process of gaining popularity of street dance is also rapidly aggravated rather than gradually. Since street dance is difficult to control and predict due to intentional control or manipulation, a new order that could not be predicted con- tinues to evolve into a culture due to the individual participants' active attitude and active self-organization. Therefore, it can be seen that the development process of street dance, which has emerged from subculture to mainstream popular culture, is carried out through fusion of various cultures and interaction between components between genres.

Abstract

Street dance can be said to be an open system that constantly collides by ex-changing other substances, energy, form and form, and information existing be- tween the external environment of the system and the internal environment around the system. The street dance system is composed of numerous subsystems, and the subsystem has numerous elements that make up it. All of these components have individual characteristics, rather than taking the same property, shape, method, and each element is a cultural system in which creative ideas emerge by forming a composition in various ways while forming collective interactions rather than individual ones. Street dance complexity follows a process of multiple causation, not a process dominated or subordinated by any individual style, any inheritance and law of causation. In addition, it is not limited to a specific individual or group and can be said to be a process that proceeds in a complexly intertwined relationship. Street Dance battle culture is not only pursued by competition, but rather includes a sense of belonging, respect, respect, and altruism. Also, since this relationship is not linear and appears unpredictably nonlinear and non-equilibrium, the exchange is not one-way. If the survival of today's culture depends on social change, that is, how to ac- commodate the external environment, the continuous cultural survival of street dance is caused by chance, improvisation, and openness rather than inevitability, which is changed by the level predicted by systematic logic. The process of gaining popularity of street dance is also rapidly aggravated rather than gradually. Since street dance is difficult to control and predict due to intentional control or manipulation, a new order that could not be predicted con- tinues to evolve into a culture due to the individual participants' active attitude and active self-organization. Therefore, it can be seen that the development process of street dance, which has emerged from subculture to mainstream popular culture, is carried out through fusion of various cultures and interaction between components between genres.

참고문헌 (13)

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  11. 한혜리, "무용의 자기성찰 기능과 구조", 한국무용교육학회지, 32(3), pp.47~59 (2021), 한국무용교육학회
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  13. Lange, R, "춤의 본질" (1988), 동서출판

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