Deepening how cultural capital structures consumption of the performing arts
1
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
This paper deepens existing research that suggests cultural capital (CC), a status-laden resource linked to social class, associates with differences in consumption values, consumption portfolios (range of products consumed), and emic (consumers’ own) interpretations of performing arts. Our research context comprises attendance at the live and recorded performing arts in a large metropolitan city located in a Western country in which the dominant language is English. The research methods comprise long interviews with, and observations of, a sample of 36 performing arts patrons who had attended a classical music concert at least once: specifically, 18 low CC and 18 high CC. Analysis suggests several advances on previous research. Specific subsets of consumption values linked to CC in the prior literature, associate with LCC or HCC. These consumption values can be viewed as macro-values, which associate with numerous micro-values. Additional consumption values worthy of additional exploration emerged from data analysis. Consumption portfolios identified in prior research, are confirmed as associating with CC.
Abstract
This paper deepens existing research that suggests cultural capital (CC), a status-laden resource linked to social class, associates with differences in consumption values, consumption portfolios (range of products consumed), and emic (consumers’ own) interpretations of performing arts. Our research context comprises attendance at the live and recorded performing arts in a large metropolitan city located in a Western country in which the dominant language is English. The research methods comprise long interviews with, and observations of, a sample of 36 performing arts patrons who had attended a classical music concert at least once: specifically, 18 low CC and 18 high CC. Analysis suggests several advances on previous research. Specific subsets of consumption values linked to CC in the prior literature, associate with LCC or HCC. These consumption values can be viewed as macro-values, which associate with numerous micro-values. Additional consumption values worthy of additional exploration emerged from data analysis. Consumption portfolios identified in prior research, are confirmed as associating with CC.
참고문헌 (33)
- Abercrombie, N., "Television and society" (1996), Polity Press
- Austin, B. A., "Portrait of an art film audience", Journal of Communication, 34(1), pp.74~87 (1984)
- Austin, J. T., "Goal constructs in psychology : Structure, process, and content", Psychological Bulletin, 120(3), pp.338~375 (1996)
- Bettman, J., "Constructive consumer choice processes", Journal of Consumer Research, 25(3), pp.187~217 (1998)
- Bourdieu, P., "Power and ideology in education", pp.487~511 (1977), Oxford University Press
- Bourdieu, P., "Distinction: A social critique of the judgement of taste" (1984), Routledge & Kegan Paul
- Caldwell, M., "The role of cultural capital in performing arts patronage", International Journal of Arts Management, 5, pp.34~50 (2003)
- Coleman, R. P., "The continuing signifi cance of social class to marketing", Journal of Consumer Research, 10(3), pp.265~280 (1983)
- Collana, C. M., "The impact of public funding on cultural urban revitalization", Journal of Business and Economic Research, 1(3), pp.1~8 (2010)
- Deighton, J., "The consumption of performance", Journal of Consumer Research, 19(3), pp.362~373 (1992)
- Dimaggio, P. M., "Audience studies of the performing arts and museums" (1978), National Endowment of the Arts
- Gainer, B., "Ritual and relationships : Interpersonal influences on shared consumption", Journal of Business Research, 32(3), pp.253~260 (1995)
- Henry, P., "Modes of thought that vary systematically with both social class and age", Psychology & Marketing, 17(5), pp.421~440 (2000)
- Holt, D. B., "How do consumers consume : A typology of consumption practices", Journal of Consumer Research, 22(1), pp.1~16 (1995)
- Holt, D., "Does cultural capital structure American consumption?", Journal of Consumer Research, 25(1), pp.1~25 (1998)
- Hofstede, G., "Culture’s consequences: International differences in work related values" (1980), Sage
- Hume, M., "Understanding service experience in non-profit performing arts : Implications for operations and service management", Journal of Operations Management, 24(4), pp.304~324 (2006)
- Kotler, P., "Standing room only, strategies for marketing the performing arts" (1997), Harvard Business School Press
- Lamont, M., "Money, morals and manners: The culture of the French and American upper-middle class" (1992), University of Chicago Press
- Levy, S., "Marketing the arts", pp.29~46 (1980), Praeger
- McCracken, G., "The long interview" (1988), Sage
- Miles, M. B., "Qualitative data analysis: An expanded sourcebook" (1994), Sage
- Peterson, R., "Cultivating diff erences: Symbolic boundaries and the making of inequality", pp.900~907 (1992), University of Chicago Press
- Peterson, R. A., "Changing highbrow taste : From snob to omnivore", American Sociological Review, 61(5), pp.900~907 (1996)
- Peterson, R. A., "Problems in comparative research: The example of omnivorousness", Poetics, 33(5–6), pp.257~282 (2005)
- Quine, M., "eatre audiences in Britain: A continuing research program", The Journal of Arts Management, Law, and Society, 23(3), pp.225~239 (1993)
- Radbourne, J., "The audience experience: Measuring quality in the performing arts", International Journal of Arts Management, pp.16~29 (2009)
- Thompson, C. J., "Consumer value systems on the age of post-modern fragmentation : The case of natural health micro-culture", Journal of Consumer Research, 28(4), pp.550~571 (2002)
- Veblen, T., "The theory of the leisure class" (1970), Unwin
- Weber, M., "Weber: Essays in Sociology" (1946), Oxford Press
- Weiner, B., "Human motivation: Metaphors, theories, and research" (1992), Sage
- Wolfi nbarger, M., "Shopping online for freedom, control and fun", California Management Review, 43(2), pp.34~55 (2001)