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나쓰메 소세키 문학의 한국어 번역과수용 양상

Korean Translation and Acceptance of Natsume Soseki’s Literature

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주제분류일본어와문학

초록

本稿の目的は1945年から2016年までの夏目漱石文学の韓国語翻訳の出版現況についてと、その受容の様相を考察することである。韓国において最初に翻訳出版された夏目漱石の作品は『坊っちゃん』であり、その出版年は1960年である。そして2016年まで『文学論』『文学評論』、俳句、漢詩など一部を除いて夏目漱石の作品のほとんどは韓国語に翻訳されている。また、『坊っちゃん』『吾輩は猫である』『こころ』は数十回にわたって再度訳されており、この三作を含めて『それから』『道草』「夢十夜」は韓国で出版されている各出版社「世界文学全集」にも収められている。夏目漱石の作品の韓国語訳が増加したのは2000年代以降である。1990年代に『坊っちゃん』が青少年向けの必読書の一つになった影響もあるだろう。さらに夏目漱石は日本の「国民作家」「シェイクスピア」などとメディアによって紹介され日本の代表作家として読者層にその認知が広がったこともある。このような流れで2013年から2016年まで韓国語版『夏目漱石小説全集』全14巻(短篇集は別巻)が刊行された。全集は好調な売れ行きを見せた。夏目漱石の韓国語の作品は現在「古典」とある種「商品」のように受け入れられていると言えよう。

Abstract

This paper examine the acceptance of Natsume Soseki’s literature in Korea in terms of the publication status of translated versions. The first Korean translation version of Natsume Soseki’s work is “Botchan”, translated by Jong-yeol Lee and published in 1960. Since then, most works of Natsume Soseki such as novels, critiques, essays, letters, etc. except for “Literary Theory”, “Literary Criticism”, Haiku, and Chinese poetry have been translated into Korean. Also, “Botchan”, “I am a Cat”, and “Kokoro” have been translated multiple times by different translators. In addition to these three works, “Sorekara”, “Michikusa”, “Yume Juya”, etc. have been included in the “Complete Series of World Literature” in Korea. Korean translations of Natsume Soseki’s works have increased after the 2000s. It was influenced by the fact that “Botchan” was evaluated as a so-called “classic” in the 1990s and was included as a book for youths’ preparation for discourse; it is also because Natsume Soseki was introduced in Korea as ‘Shakespeare’ of Japan, ‘nation’s author’, and ‘Obverse of a 1984 series 1000 Japanese yen banknote’, widely spreading the awareness among Korean readers that he is the most representative author in Japan. Going along with this atmosphere, all 14 books were translated into the Korean version of “Natsume Soseki’s Novel Collection” for 3 years from 2013 to 2016. It is clear that the publication of these completed works was achieved not because study on Natsume Soseki made progress in Korea but rather due to the expansion of Korean readers of Natsume Soseki’s literature. Natsume Soseki’s literature has secured awareness as must-read works in this era. Presently, Natsume Soseki’s literature has become ‘goods’ and ‘classics’ in Korea.

참고문헌 (21)

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