오타쿠와 덕후의 의미 및 대중화에 관한 연구
A Study on the Meaning and Popularization of Otaku and Dukhoo
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
現在、韓国ではドッフ、ドッジル、ドッフ負心といった言葉が流行っている。これは余裕も未来も見えない厳しい状況の中でも、より積極的な心持で自らの幸せを探し、もっと楽しく生きて行きたい若者たちの現実性が反映された、ある意味での社会現象とも言えるのであろう。ドッフの語源は日本語のオタクから来たと思われる。オタクは１９８０年代に日本で登場して以来、ずっとネガティブな側面で大衆に認識されてきた。その後、40年という時間をかけ、たくさんのオタクたちの成果が社会から認められるようになり、また、大衆に幅広く評価されるようになって、今は肯定的で希望的とも言える存在として認識されるようになった。ドッフは日本から入ったオタクが韓国ならではの情緒と結び付き、韓国特有のスタイルに大衆化されたとみられる。すなわち、韓国の社会には2000年代のはじめ頃、日本から輸入された多少ネガティブなイメージのオタクと、オタクにその起源を置いてはあるものの、韓国式に再誕生したドッフという、いわば、二つの概念が存在するのである。ゆえに、本稿では、日本のオタクと韓国でのドッフの概念を定立したうえ、韓日両国でこの存在がどのように受けいれられているのかをアンケート調査で把握してみようと思う。大衆が思っているオタクとドッフの意味と認識の変化を確認してみることによって、未来の韓国社会でのドッフの役割に注目してみたいと思う。
Abstract
Currently, words such as Dukhoo, Dukjil, and Dukhoo-busim have had wide currency in Korea. This social phenomenon reflects the reality of young people who are trying their best to search for happiness and excitement despite the hardship of their lives. The term Dukhoo originates from the Japanese Otaku. After its first appearance in Japan’ society in 1980s, the latter originally had a negative connotation and Otaku people were frowned upon by most people. However, over the past 40 years, the achievements of many Otakus have been socially well recognized and widely reevaluated by the public, and nowadays, they are perceived as positive and hopeful people. The word Dukhoo has become popular in Korean in the same way Otaku did in Japan, combined however with a Korean sentiment. In other words, there are two types of Dukhoo: Otaku, which had been introduced in the early 20th century with a rather negative image, and Dukhoo, which, while derived from the Japanese ‘Otaku’, was reborn as a Korean expression. Thus, in this study we are going to establish the concepts of Japanese ‘Otaku’ and Korean Dukhoo and explore how these existences are accepted in both Korea and Japan through a survey. Furthermore, by examining the change in meaning and perception of Otaku and Dukhoo in the public opinion, we will consider the role of Otakus in the future of the Korean society.
참고문헌 (17)
- 강준수, "『아들과 연인』에 나타난 오타쿠 감성", 스토리앤이미지텔링, (13), pp.13~42 (2017), 스토리앤이미지텔링연구소
- 김정희, "오타쿠 문화에서의 이야기 향유패턴의 수용과 초월 - 『별의 목소리(ほしのこえ)』의 탄생을 중심으로 -", 비교일본학, 43, pp.107~122 (2018), 일본학국제비교연구소[DOI]
- 명관도, "오타쿠 콘텐츠의 신화적 요소와 욕망에 관한 연구: ‘전쟁병기 미소녀’를 중심으로", 글로벌문화콘텐츠학회 2016년 동계학술대회 자료집, pp.216~222 (2016), 글로벌문화콘텐츠학회
- 박병률, "아이언맨 수트는 얼마에 살 수 있을까?", pp.38~41 (2016), 애플북스
- 아즈마히로키, "동물화하는 포스트모던", pp.17~ (2007), 문학동네
- 오카다토시오, "오타쿠", pp.12~42 (2000), 현실과 미래
- 장강명, "열광금지, 에바로드", 연합뉴스, 69~70 (2014)
- 조홍미, "오타쿠에 관한 인식 연구", 박사, 일본학과, pp.2012
- 헤이세이오타쿠연구회, "오타쿠 문화사", pp.96~ (2019), AK커뮤니케이션스
- 荻原真, "なぜ宮崎駿はオタクを批判するのか", pp.181~182 (2011), 国書刊行会
- 斎藤環, "博士の奇妙な成熟", pp.51~ (2010), 日本評論社
- 前島賢, "セカイ系とは何か", pp.12~13 (2010), ソフトバンク新書
- "게임에 대한 관심의 시작"[URL]
- "애니․게임 마니아들의 정체 분석" (2000)[URL]
- "｢オタク｣って差別用語なんだよ。知ってた?"[URL]
- "COOL JAPAN~発掘！かっこいいニッボン"[URL]
- "萌え"[URL]