김달수의 작품 연구-고국의 정치현실을 그린 문학작품을 중심으로-
The study of Kimdalsu’s works -Based on the literature about reality of politics in homeland-
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
金達壽は日本人、日本社会が抱いている朝鮮と朝鮮人に対する偏見と誤解 を是正する目的で、日本語の作品を発表した作家である。彼は解放以前に金 史良の影響を受け、創作活動を開始した。日本帝国によって侵奪されゆく朝 鮮、そして日本に土地を奪われ、小作人になった者、また日本に渡り低賃金 労働者になったり、苦学生になった朝鮮人が差別を受けながらも生き抜いた朝鮮人を描いた自伝的な作品を多く発表した。 解放後、帝国主義統治の植民地になった者達が置かれた状況を描き、降伏 と屈服を知らない朝鮮人のエネルギーと、独立したという意識のない植民地 の朝鮮人たちの葛藤を描こうとする目的で「後裔の町」と「玄界灘」を発表 した。「玄海灘」を発表した後の1950年代に入ると、彼の作品に干渉しよう とする朝鮮総連との葛藤をもたらし、数回に渡る組織的な圧力を受け、彼の 作品活動は大きく萎縮していく。このような組織の迫害を受けながらも、金 達壽は「朴達の裁判」と「太白山脈」を発表し、これらの作品は、解放から 大韓民国の単独的な政府の成立へ至るまで、朝鮮半島で起こった激動の過程 を描こうをする作家の熱望の産物として、当時の歴史的事実を発掘し、主人 公たちを通じ、知性人の役割問題などを提起し、読者たちに同胞文学につい ての関心を高めた。しかし、彼の作品は次のような指摘すべき点もある。反 民族的である右翼勢力と、これらと闘争する愛国的な左翼勢力に規定される など、兩極化に一貫しており、民族的で左翼的な意識が過多に現われてい る。そして、登場人物が極めて典型的であり、描写などが緻密ではないとい う限界と連淑、粉女など女性たちを、封建時代の倫理の中に生きる旧時代の 人物として描写しており、民衆を描いたというこれらの小説が小市民階層を 排除した結果をもたらしていると言える。
Abstract
Kimdalsu is the writer publishing his work with the Japanese language because he wanted to correct the misunderstanding and prejudice against the Joseon and the Joseon people that Japanese and society of Japan have had. He was affected by Kim Saryan before liberation and started writing. He has published many autobiographical books. It is about the Joseon that was invaded by Japan, the tenant who was deprived of their farmland and the Joseon people who became low-paid workers and got discriminated as the poor students. After liberation, he wrote about situation of colony under the imperialism. He published 「the street of descendant」 and 「Hueonhaetan」 for presenting the conflicts of the Joseon people who lost their liberation and the energy of the Joseon people who never knew submission. After publishing 「Hueonhaetan」, in 1950s, he experienced conflicts with Jochongnyeon that stepped into his books and was pushed by that group so his activity was decreased. Although he was oppressed, he published 「Trial of birch」 and 「The TaeBaek Mountains」. Those books are the fruits of his desire. He was eager to express turbulent process happened in the Korea Peninsula in the time when it was from liberation to establishing single government of Korea. Also those books exposed the truth in history and the problem of intellectual through the main character so attention toward the korean literature in Japan was go up. However his work has the following weak points. That is, it is consistent in white and black. For example there are antinational right wing and patriotic left wing fighting against the right wing. Also it involves excessive national and the left consciousness. Characters are too typical and there is limitation of description. Actually purpose of his book was to write life of petit bourgeois but in his books they are excluded. We can find this point following example. Gimbunnyeo and Yuyeonsuk(women characters in his book) are described as the dead of old days living in Feudal ethics.His books were to express idea of writer who chose Jochongnyeon under contemporary situation in the Joseon and include the will of writer for patriotism who could no longer remain spectator in the reality of the Joseon.
참고문헌 (17)
- 김달수, "김달수 평론집 상 나의 문학" (1976), 치쿠마서방
- 김달수, "김달수 평론집 하 나의 민족" (1976), 치쿠마서방
- 김달수, "나의 문학과 생활" (1986), 청구문화사
- 김달수, "김달수 소설전집, 4 후예의 거리" (1980), 치쿠마서방
- 김달수, "김달수 소설전집, 6 현해탄" (1980), 치쿠마서방
- 김달수, "김달수 소설전집, 2 태백산맥" (1980), 치쿠마서방
- 김환기, "재일동포문학과 디아스포라" (2008), 제이앤씨
- 김종회, "한민족 문화권의 문학" (2003), 국학자료원
- 유숙자, "재일 한국인 문학연구" (2000), 월인
- 李漢昌, "재일 교포문학의 작품성향 연구 : 정치의식 변화를 중심으로", 박사, 일문학, pp.1997
- 이한창, "재일한국인의 역사와 그 현황", 일본연구 (1990), 중앙대 일본연구소
- 이한정, "재일코리안문학과 조국" (2011), 지금여기
- 小田切秀雄, "金達壽小說全集6卷" (1980), 筑摩書房
- 林浩治, "在日朝鮮人日本語文學論" (1991), 新幹社
- 針生一郞, "その批判は正當か", 三千里, (20) (1979)
- 磯貝治良, "在日朝鮮人文學の世界", 三千里, (20) (1979)
- 磯貝治良, "在日朝鮮人文學のアイデンティティ", 民濤, (5) (1988)
