문학박물관 오브제의 문화론 - <겐지모노가타리 박물관>을 중심으로 -
A Study on the Culture of Art Objects in Literature Museums - Focusing on the “Tale of Genji Museum” -
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참고문헌
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초록
本稿は宇治市源氏物語ミュージアムを中心に文学ミュージアムのオブジェについて考察したものである。周知のように『源氏物語』は多様な形で絶え間なく再加工されている文化コンテンツとしての一面を持っているが、それは必然的に活字化から自由になり、『源氏物語』の文学的な空間を限りなく拡張している。そのような拡張空間の一つとして‘宇治市源氏物語ミュージアム’を挙げることができる。一方、宇治市源氏物語ミュージアムは今まで観光との関りで主に注目されてきたが、本稿で注目したのは、ミュージアム内部の、特に展示空間におけるオブジェの文化論についてである。というのは、展示空間は観覧者との相互作用を試みる空間であるからだ。ミュージアムがどのような形で『源氏物語』について説明しようとしているかをみること自体、文化論的には非常に意義のある試みであるといえよう。本稿では以上のような観点から、宇治市源氏物語ミュージアムの展示空間を隅々まで考察し、特にそのオブジェの文化論的な意義について考察した。
Abstract
In this article, we examine art objects, or objets d’art, displayed in literature museums, concentrating on the Tale of Genji Museum, located in the city of Uji. As has been known widely, the Tale of Genji is regarded as a cultural content which has been continuously reproduced in various forms. This cultural aspect of the literary work means that it is necessarily free from printing constraints, and thus its literary space has been expanded limitlessly. In this context, the Tale of Genji Museum in the city of Uji can be viewed as a manifestation of such space expansion. On the other hand, while the museum has been discussed in connection with sightseeing, the present article provides a study on the culture of art objectsexhibited in the museum, a space which evokes interactions with the visitors. It would be a significant attempt to explore the ways in which the museum explains the Tale of Genji. We analyze the exhibition space of the Tale of Genji Museum in Uji from the aforementioned perspective, with special reference to the art objects displayed in the museum and its cultural values.
참고문헌 (12)
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