문학관 전시 내러티브의 탈/구축: 확장과 연결성

Abstract

Recently, local literary museums are faced with the task of ‘how to preserve aesthetic values ​​within the consumption of cultural products and imprint them in the public memory. In this paper, I looked at the changes in exhibition narratives focusing on domestic author memorial literary museums and considered limitations and possibilities. The literary museum is not a space where the curator's exhibition narrative is unilaterally transmitted or performed. Rather, this is a site where new networks of meaning are constructed as the writer, work, and visitors (readers) intersect. In this circuit, I tried to read the inter-connectedness of literature, place, locality, and readers (viewers) and reflected on the prospects for a new network of production and consumption of literature (views) in our time. First, I looked at the dilemma of identity/anti-identity facing local literature museums. In addition, the flow of change in the narrative of the literature museum exhibition was also considered. Based on this, we attempted to readjust the location of the local literature museum by examining the exhibition narratives inside and outside the ‘Yosan Kim Jeonghan Literature Museum.’ To this end, I focused on the following considerations. 1) The direction of the literature museum perceived in the early stages of the construction of the Yosan Kim Jeonghan Literature Museum 2) What is selected and concentrated in the spatial representation of the 'Yosan Exhibition Room' 3) How the scenery outside the literature museum is connected to the literature museum, especially the recent production of the literature museum While exploring the possibility of 'Yosan literary map', the performative practice of literature (view) was observed and made meaningful. In the above, I reflected on the potential of the literary view and proposed the prospect of literary performativity mediated by the literature museum.