기록문화가 형성한 소설담론 공간의 리얼리티 - <신조합평회>와 <조선문단합평회>를 중심으로 -

Abstract

This study focuses on the 1920s, when the exploration of new novel methodologies took place in Korea and Japan. And the record format of “the symposium” in which discourses exchanged between established literary circles and groups of emerging artists were integrated, was considered. In addition, this joint review was defined as the discourse of “topos” of the novel methodology and attempted to clarify its characteristics. First of all, the researcher started with the question of ‘who is recording’ that a written text record, “the symposium”. And then, the problem of the third person and the first person was replaced in terms of a mixture of ‘fact’ and ‘fiction’, and the ‘paradigm shift of novel’s methodology’ between Korea and Japan in the 1920s was considered. As a result, Japanese modern novels confirmed the impossibility of ‘translating reality as it is’ and was able to establish a viewpoint as a live broadcaster. On the other hand, modern Korean novels have established a novel method that gives the ‘fact’ nature of ‘fiction’ based on the novelist’s perception of looking at the fiction world in the real world.