전통회화의 공간해석을 통한 창의적 시각표현 개발을 위한 연구: 장자의 본체론과 들뢰즈의 노마디즘의 비교를 중심으로

Abstract

The purpose of this study is to analyze the various formative values about the concept of the space interpretation of Chuang-tzu of traditional art which can be compared with the concept of the space concept from Gilles Deleuze, and to also implicate this idea for the development of creative optical expression. In the general understanding of substance theory of Chuang-tzu, there are some difficulties understanding the concept of ‘infinity’ and ‘boundary deactivation’ for students living in the contemporary period. Therefore if the study is suggested by the concept of ‘deterritorialization’ and ‘rhizome’, students could understand more easily. Considering the contemporary cultural context, the multi-dimensional study on the various meanings of traditional paintings is very essential. This study attempts to bring an increase of attention on the fact that in the traditional space concept, there is more emphasis on the various meanings of the concept of ‘Wayou(臥遊)’ in traditional paintings. This study examines the formation of the ideological background of the concept of ‘substance theory’ of Chang-tzu in order to unveil the width and depth of meanings entailed by the concept of ‘nomadism’ from the philosophy of Gilles Deleuze. The idea of ‘substance theory’ supports the expression of creativity and the character of the artist because the idea could appear diverse. Through a thorough understanding of the various formative meanings of the concept of the space interpretation, I suggest a practical education method that creates various Ink wash paintings by the use of expressions related to the sketch travel.