‘두려움’의 문화적 변이 양상
Aspects of Cultural Variations on ‘FEAR’
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The purpose of this paper is to reveal semantic characteristics of ‘fear’ according to cultural variations, from the perspective of Cognitive Corpus-based Contrastive Approaches. The results are as follows: First, five of the cultures considered show many commonalities in physiological metonymy, in terms of bodily experience, while there are also some peculiarities, due to socio-cultural contexts. The Chinese, English, and Korean language are detailed in physiological responses. Second, seven cultures show more peculiarities than commonalities in the source domains of conceptual metaphors of ‘fear’. This is due to the difference of cultural backgrounds or cognitive beliefs. Chinese, English, and Korean have a variety of source domains and the working of conceptual metaphors are very active. Third, the cognitive models of the scenario of ‘fear’ in four cultures reveal cultural characteristics. The ‘fright model’ is universal, while the ‘fight model’ appears both in Polish and Korean. The ‘frozen model’ appears only in Korean. In conclusion, Korean culture shows evidence of conforming to a dynamic cognitive model.
Abstract
The purpose of this paper is to reveal semantic characteristics of ‘fear’ according to cultural variations, from the perspective of Cognitive Corpus-based Contrastive Approaches. The results are as follows: First, five of the cultures considered show many commonalities in physiological metonymy, in terms of bodily experience, while there are also some peculiarities, due to socio-cultural contexts. The Chinese, English, and Korean language are detailed in physiological responses. Second, seven cultures show more peculiarities than commonalities in the source domains of conceptual metaphors of ‘fear’. This is due to the difference of cultural backgrounds or cognitive beliefs. Chinese, English, and Korean have a variety of source domains and the working of conceptual metaphors are very active. Third, the cognitive models of the scenario of ‘fear’ in four cultures reveal cultural characteristics. The ‘fright model’ is universal, while the ‘fight model’ appears both in Polish and Korean. The ‘frozen model’ appears only in Korean. In conclusion, Korean culture shows evidence of conforming to a dynamic cognitive model.
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