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≪서유기≫를 통해 본 문화원형의 계승과 변용

Continuities and Reformulations of Cultural Archetypes: The Case of Xiyouji

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This study explores modern appropriations of the popular Chinese classic,《Xiyouji(Journey to the West)》. Long before the term “culture contents” came intovogue, Chinese classics have been exploited for cultural archetypes or original sources. 《Xiyouji》 is an exemplary case, being used for a variety of performing fields includingpuppet shows, dramatic performances and animations. The source power of 《Xiyouji》transcends the national boundary as the novel attracts (re)creative forces in Korea,Japan and America. The paper adopts the framework of MSMU (Multi-Source Multi-USE) in its attemptto examine the nature of the source power of 《Xiyouji》. In doing so, the paper focuseson and utilizes the concepts of modernization, localization and contemporization. Roughlyspeaking, 《Xiyouji》’s appropriations in China tend to stress the continuity andinheritativenes with the original source whereas those in non-Chinese cultures tend tohighlight the reformulative aspects of their appropriations. Both local and internationalappropriations of 《Xiyouji》 are discussed with examples pertinent to the topic of thepaper.

Abstract

This study explores modern appropriations of the popular Chinese classic,《Xiyouji(Journey to the West)》. Long before the term “culture contents” came intovogue, Chinese classics have been exploited for cultural archetypes or original sources. 《Xiyouji》 is an exemplary case, being used for a variety of performing fields includingpuppet shows, dramatic performances and animations. The source power of 《Xiyouji》transcends the national boundary as the novel attracts (re)creative forces in Korea,Japan and America. The paper adopts the framework of MSMU (Multi-Source Multi-USE) in its attemptto examine the nature of the source power of 《Xiyouji》. In doing so, the paper focuseson and utilizes the concepts of modernization, localization and contemporization. Roughlyspeaking, 《Xiyouji》’s appropriations in China tend to stress the continuity andinheritativenes with the original source whereas those in non-Chinese cultures tend tohighlight the reformulative aspects of their appropriations. Both local and internationalappropriations of 《Xiyouji》 are discussed with examples pertinent to the topic of thepaper.

참고문헌 (12)

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  2. 안창현, "문화콘텐츠 원천소스로서 ≪서유기≫의 구조분석과 활용 전략 연구", 박사, 문화콘텐츠학과, pp.2013
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  4. 유용강, "《서유기》 즐거운 여행 -《서유기》 새로운 해설" (2008), 차이나하우스
  5. 최수웅, "손오공의 이야기가치와 문화콘텐츠적 활용양상 연구", 인문콘텐츠, (23), pp.87~113 (2011), 인문콘텐츠학회
  6. 송진영, "서유기 현상으로 본 중국 환상서사의 힘", 중국어문학지, (33), pp.157~177 (2010), 중국어문학회
  7. 홍성초, "朝鮮時代 ≪西遊記≫의 傳播와 影響 연구 ― 文獻記錄과 “西遊記圖”를 중심으로", 중국어문논총, (56), pp.183~208 (2013), 중국어문연구회
  8. 박종천, "<서유기> 콘텐츠의 MSMU 양상에 대한 연구 - 만화와 애니메이션을 중심으로", 한국만화애니메이션학회, 학술대회자료집 (2012)
  9. 정민경, "디지털시대 《서유기(西遊記)》의 교육적 변용- 《마법천자문》을 중심으로", 디지털콘텐츠와 문화정책 (2011)
  10. 胡勝, "明淸神魔小說硏究" (2004), 中國社會科學出版社
  11. 조셉 캠벨, "천의 얼굴을 가진 영웅" (2007), 민음사
  12. "<西游记>海外“变形记”"[URL]

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