커링(柯靈)과 항전(抗戰)문화 진영으로서의 상하이(上海)잡지 일고

Abstract

In particular, this paper aims to examine the editing and publishing of magazines and his cultural strategies in the harsh environment of the 1930s and 1940s Shanghai Japanese occupation zone. At that time, he published an independent commercial magazine against Japanese publication censorship and control, established a camp for the anti-war culture and anti-war literary movement, and conducted an indirect "intangible protest" against Japanese imperialism. As a result, he maintained the 5.4 New Literature tradition under the darkness and harsh control of the war, sparking new hope in Shanghai's literary circles. The paper aims to examine what his bypass strategy was for publishing magazines, how it brought together progressive cultural people in Shanghai at the time, and what rituals they vibrated and resisted against each other in this cultural practice. They sometimes stood up against Japanese imperialism in direct and sometimes indirect ways. In particular, Mansang avoided sympathy and praise for the war demanded by Japanese imperialism, emphasizing commerciality and popularity. In order to secure a literary camp against Japan, publishers also participated in the National Cultural Congress and the Daedong-A Literature Contest hosted by the Korea-Japan Cultural Association, while exposing the colonial nature of Japanese imperialism and implicitly publishing related works.