1930년대 중국의 문학검열기제와 출판미디어의 대응전략
Literary Censorship System and Response Strategies of Publishing Media in China in the 1930s
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The production and distribution of all messages must have the character of endless struggles or compromised by-products in the gap between the dominant language of the society and the intention of the artist. In that sense, censorship functions as a literary device that defines the characteristics of literature, not merely an external interference mechanism of literary art. This article aims to examine the process of institutionalization of literary censorship in China based on an understanding of the overall social network and historical context in which censorship works. We will consider how modern censorship mechanisms are formed in China, especially in the 1930s, when censorship was organized. In other words, this paper examines the system of censorship organization, publishing laws and censorship standards, and analyzes the different countermeasures of the publishing media.
Abstract
The production and distribution of all messages must have the character of endless struggles or compromised by-products in the gap between the dominant language of the society and the intention of the artist. In that sense, censorship functions as a literary device that defines the characteristics of literature, not merely an external interference mechanism of literary art. This article aims to examine the process of institutionalization of literary censorship in China based on an understanding of the overall social network and historical context in which censorship works. We will consider how modern censorship mechanisms are formed in China, especially in the 1930s, when censorship was organized. In other words, this paper examines the system of censorship organization, publishing laws and censorship standards, and analyzes the different countermeasures of the publishing media.
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