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고전발레(Classic Ballet)에서 신-고전발레(Neo-Classic Ballet)로의 이행

A Transmission from the Classic Ballet to the Neo-Classicism Ballet

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Classic Ballet is a style which was given birth by Marius Petipa in 19th century. And it attach importance to ‘Classic’ formal beauties such as clearness, harmony, symmetry and orders. petipa 1) made a frame of Pas de deux, full-length spectacular with formal rules of ballet composition 2) pursued perfection in technique 3) developed ballet as a spectacle stage art with costumes, divertissment, character dance. Early in 20thcentury renovative compositors reformed his styles with modernism. Balanchine succeeded principles, rules of Classic Ballet and he also showed specialties of Neo-Classicism Ballet such as 1) insisting Plotless style which rejects story or gesture 2) emphasizing on motor sensation of dancer’s body 3) emphasizing on relationship between music and dance.

Abstract

Classic Ballet is a style which was given birth by Marius Petipa in 19th century. And it attach importance to ‘Classic’ formal beauties such as clearness, harmony, symmetry and orders. petipa 1) made a frame of Pas de deux, full-length spectacular with formal rules of ballet composition 2) pursued perfection in technique 3) developed ballet as a spectacle stage art with costumes, divertissment, character dance. Early in 20thcentury renovative compositors reformed his styles with modernism. Balanchine succeeded principles, rules of Classic Ballet and he also showed specialties of Neo-Classicism Ballet such as 1) insisting Plotless style which rejects story or gesture 2) emphasizing on motor sensation of dancer’s body 3) emphasizing on relationship between music and dance.

참고문헌 (17)

  1. 김경희, "조지 발란쉰(George Balanchine)의 「보석(Jewels)」에 내재된 추상회화적 특징 연구", 대한무용학회 논문집, 72(1), pp.19~40 (2014), 대한무용학회
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  4. 김태원, "춤의 美學과 교육" (1999), 현대미학사
  5. 리차드 크라우스, "무용, 역사를 통해 본 그 예술성과 교육적 기능" (1985), 성정출판사
  6. 로모라 니진스키, "천재는 어디로" (1981), 까치사
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  9. 서차영, "George Balanchine의 Apollo에 나타난 신고전주의", 대한무용학회, 17, pp.25~47 (1995)
  10. 오세영, "문예사조" (1983), 고려원
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  12. 전주현, "조지 발란쉰(George Balanchine)의 「세레나데(Serenade)」에 내재된 신고전주의적 특징", 대한무용학회 논문집, 70(3), pp.171~188 (2012), 대한무용학회[DOI]
  13. 타타르키비츠, "여섯 가지 개념의 역사" (1990), 이론과 실천사
  14. 小倉重夫, "명작발레모음" (1992), 도서출판 서울
  15. 竹內敏雄, "美學・藝術學 事典" (1989), 미진사
  16. Henri Peyre, "Qu’est que le Classicism" (1983), A-G Nizet
  17. Lynn Garafola, "The making of Ballet Modernism", Dance Research Journal, 20 (1989)

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