피나 바우쉬 작품의 무대장치와 무용움직임의 상호관계에 관한 연구
A Study on Scenic Design and Dance Movements in Pina Bausch's Works
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피나 바우쉬의 작업방식인 질문과 답의 테크닉은 이미 많은 안무가들, 연극연출가들이 활용하고 있다. 이는 모방을 하는 것이 아니라 개인적인 관심의 주제에 따라 스스로 창안하여 적용할 수 있는 작업방식으로서 개인의 내면을 성찰하고 창의성을 가져다 준다. 피나 바우쉬는 작품마다 바탕으로 혁신적이고 신선하다. 다양한 무대장치의 활용과 무대장치에 의한 무용움직임의 변화, 무용움직임에 의한 무대장치의 변화로 연극성, 실험성을 창출한다. 이러한 실험정신으로 국내 무용계의 안무가들이 새로운 시각으로 삶의 현장을 바라보고 개인의 풍부한 내면의 삶이 창작으로 이어져 실험적, 혁신적 무대 표현에 영감의 요소가 되기를 기대해본다. 국제적으로 피나 바우쉬에 관한 연구가 활발하게 진행되고 있으며 심포지움, 세미나에서 많은 주제들이 다루어지고 있다. 국내 학계에서도 피나 바우쉬의 작품의 여러 구성 요소들, 질문과 답의 방법론, 몽따쥬 기법, 연극화에 관한 주제에 관하여서도 연구가 기대되어진다.
Abstract
The study examines the scenic design in Pina Bausch's choreographic works. Pina Bausch was a genius, a brave and soulful choreographer whose masterful dance-theatre pieces virtually changed the way we look at the art form. She was interested in what moves them. Set design was an integral part of Bausch's process. Her epic pieces featured elemental, elegant yet untraditional stage architecture that provided a meeting ground between body and mind. Ms. Bausch established a method of creating dances. She would begin rehearsals by asking specific questions of the dancers: about memories, about their daily lives. She would ask them to act out the recollections, and create minidramas from their responses. She compose with methode of collage or montage. Bausch found original and highly theatrical non-linear strategies in her compositions for merging real actions and feelings with dancing. The dance would grow out of that work, as well as a sense of place derived from foreign residencies. Pina Bausch's set designers were Rolf Borzik and Peter Pabst. Rolf Borzik designed "Cafe Muller", "Arias", "Barbe Bleu", etc. Past works incorporating natural design components are Carnations, which had a flower filled stage; and Masurca Fogo which featured a rocky mountain in a box. Bausch wanted things to appear real. Movement was integrated with the scenic elements and music. The altering of movement by scenic elements is extremely important in all of Bausch's works that use natural elements such as dirt, leaves, flowers or water as performance surface.
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