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피나바우쉬의 안무특성에 관한 연구

A Study on the Characteristics of Pina Bausch's Choreography

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Abstract

The purpose of this study is to analyze the characteristic of Pina Bausch’s choreography shown through review of her main dance works. Since she was appointed as an art director of Wuppertal Tanz Theater in 1973, she introduced a new form of modern dance, called Tanz“Theater”. She has been highly evaluated due to her works which contain the combination of German Expressionism with American Modern Dance. As a result of this study, a characteristic of her choreography is as follows; Firstly, she introduced a new form of expressionism, which focused on the impromptu elements of a play. Secondly, she made the dance come out of the narrow-defined "choreography" and expanded the field of dance by introducing a film technique, “Montage” into dance. Thirdly, she tried to deliver an unique auditory image to audience by combining various genres of music in her dance works. Fourthly, She expressed situations in her dance works more realistically and concretely by using a language as a theatrical element. Finally, she utilized usual movements rather than specific dance techniques, by combining and transforming objective images and movements which a body can experience in everyday social life. Pina Bausch tried to break from the typical dance form and develop her peculiar expressionism. Her creative spirit presents unlimited possibility to choreographers and encourages them to make new forms of modern dance.

참고문헌 (12)

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  2. "현대무용 인물론" (2000), 성균관대학교 출판부
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  4. "Pina Baush의 작품세계" (1993)
  5. "독일 탄츠 테아터와 일본 부토의 민족 문화적 예술 성향에 관한 연구" (1995)
  6. "피나 바우쉬 탄츠테아터의 작품세계에 관한 연구" (1997)
  7. "이화여자대학교 대학원" (1990)
  8. "Pina Bausch의 예술세계와 안무방법에 관한 연구 이화여자대학교 대학원 석사논문" (1990)
  9. "독일 무용극에 관한 연구-Pina Baush의 작품을 중심으로" (1995)
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  12. "춤, 이미지", (6) (1995)

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