「陶山雜詠」의 美意識과 「雲谷二十六詠」의 비교 硏究

Abstract

This paper is Toegae Lee-hwang (退溪 李滉;1501~1570)’s The Dosan-jabyoung(「陶山雜詠」)and consciousness of the spirit caught Joo-Hee(朱熹;1130~1200)’s ‘Un-gok26song(雲谷26詠)’ compared to research. Toegae’s The 'Dosan-26song(陶山26詠) is Joo-Hee’s ‘Un-gok26song(雲谷26詠)’ has been affected. He is building The ‘Dosan-a village school(陶山書堂)’ began operating the diverse views of space a sense of aesthetic consciousness of space sense began to manifest itself. He is according to the type of Joo-Hee’s ‘Un-gok26song(雲谷26詠)’ whenever meet to a landscape That scenery deserves to have a poem written about it. he aesthetic consciousness of shown on a ‘The Dosan-26song(陶山26詠)’ seek truth to natural beauty find to mountains and waters in The mountain Do-san(陶山). The Honest poverty and The artless art and good nature(拙樸) and the sublime to gained through the a scholar well-informed and retentive in memory of life. How to enjoyment art and culture of aesthetic consciousness of space sense The ‘Dosan-26song(陶山26詠) the classical scholar in The Choseon Dynasty period. This term of The ‘Dosan-26song(陶山26詠) derives from ancient chinese a Neo-Confucianism. Be concerned in of The Honest poverty and The artless art and good nature and a new and fresh tide, natural beauty to The ‘Dosan-26song(陶山26詠)’ of Toegae the classical scholar in The Choseon Dynasty period. The ‘Dosan-26song(陶山26詠)’ aesthetic consciousness of the subject aesthetics point of view to The space sense for mountains and The space sense for waters. A combination of Confucian scholar and pastoral was moral culture of mind utility to natural beauty find to mountains and waters in the Choseon Dynasty period. His The ‘Dosan-26song(陶山26詠)’ work emphasizes visual images His poetry is characterized by abundant use of aural imagery. he show poem a full of local color he aesthetic consciousness of space sense to shown on a The ‘Dosan-26song(陶山26詠)’ seek truth to natural beauty find to mountains and waters in The mountain Do-san(陶山). The interior of The Honest poverty and The artless art and good nature and The a tough spirit of the classical scholar's was comprised in moral culture of mind utility of The discussion of the Moral philosophy and an Aesthetics. The aesthetics of The Honest poverty and The artless art and good nature and The principle and belief of the classical scholar's is an ideology of arts point of view to The ‘Dosan-26song(陶山26詠)’ a combination of Confucian scholar and pastoral.