退溪의 「陶山雜詠」에 나타난 공간감각의 미의식

Abstract

This paper is the study on The aesthetic consciousness of space sense to shown on a 'The Dosan-jabyoung(「陶山雜詠」) of Toegae(退溪 이황: 1501～1570) in The Choseon(朝鮮) Dynasty period. The Dosan-jabyoung(「陶山雜詠」) was modeled after the Ju-hee(朱熹)'s Muoy-jungsa-jabyoung 「武夷精舍雜詠」. Toegae's The Dosan-jabyoung(「陶山雜詠」) is The aesthetic consciousness of space sense is The Honest poverty(淸貧) and The artless art and good nature(拙樸) and the sublime to gained through the a scholar well-informed and retentive in memory of life. How to enjoyment art and culture of aesthetic consciousness of space sense The Dosan-jabyoung(「陶山雜詠」) the classical scholar in The Choseon Dynasty period. This term of The Dosan-jabyoung(「陶山雜詠」) derives from ancient chinese a Neo-Confucianism . Be concerned in of The Honest poverty and The artless art and good nature and a new and fresh tide, natural beauty to The Dosan-jabyoung(「陶山雜詠」) of Toegae the classical scholar in The Choseon Dynasty period. The Dosan-jabyoung(「陶山雜詠」) aesthetic consciousness of space sense the subject aesthetics point of view to The space sense for mountains and The space sense for waters. A combination of Confucian scholar and pastoral was moral culture of mind utility to natural beauty find to mountains and waters in the Choseon Dynasty period. His The Dosan-jabyoung(「陶山雜詠」) work emphasizes visual images His poetry is characterized by abundant use of aural imagery. he aesthetic consciousness of space sense to shown on a 'The Dosan-jabyoung(「陶山雜詠」)' seek truth to natural beauty find to mountains and waters in The mountain Do-san(陶山). The interior of The Honest poverty and The artless art and good nature and The a tough spirit of the classical scholar's was comprised in moral culture of mind utility of The discussion of the Moral philosophy and an Aesthetics. The aesthetics of The Honest poverty and The artless art and good nature and The principle and belief of the classical scholar's is an ideology of arts point of view to 'The Dosan-jabyoung(「陶山雜詠」)' a combination of Confucian scholar and pastoral.