고대 중국의 異域담론의 시각적 재현 ― <萬國職貢圖>에 나타난 이역상상

Abstract

In this paper, I studied how Sinocentrism (中華主義) and Huayi view(華夷觀) were reproduced in the picture text, focusing on <Wanguozhigongtu> which is believed to have been produced during the Ming Dynasty. Chapter 2 discussed the period of establishment with the author of <Wanguozhigongtu>. <Wanguozhigongtu> was originally known to have been painted by Lee Gong-rin (李公麟) of the Song Dynasty, but it is recently argued that it was produced during the Ming Dynasty. This high school comprehensively considered existing academic studies, and estimated the production period as named. In this paper, the period of production of <Wanguozhigongtu> was estimated in the Ming Dynasty by comprehensively examining existing academic studies. Chapter 3 analyzed the characteristics of <Wanguozhigongtu> by comparing the contents of the description section of <Wanguozhigongtu> in the form of a combination of paintings and writings with historical materials. As a result, <Wanguozhigongtu> not only referred to existing historical books, but also described the imaginary translation as a tribute country in accordance with the form of the <Zhigongtu (職貢圖)>. And the background of these results was the active production of paintings such as the prosperity of the tribute trade during the Ming Dynasty, interest in foreign countries, historical literature and <Shanhaijingtu (山海經圖)>. In Chapter 4, the unique way in which <Wanguozhigongtu> composes foreign countries in paintings was divided into two types: formal and comic. <Wanguozhigongtu> had its own way of constructing characters and spaces, and reproduced the Huayi view in the picture text by giving it animalism and humor when describing the object.