新聞, 風聞을 넘나드는 동아시아 근대지 ― 『新民叢報』(1902-1907) 서적 소개를 통해 본 지식 담론의 재편
Discussion on Reorganization of Knowledge Discourses in Early 20th Century China: with Special Reference to ‘New Books’ Corner in Xinmin Congbao(1902-1907)
0
조회
0
다운로드
4
인용
0
참고문헌
키워드
초록
This paper is aimed at providing a wider view on cultural history of modern books. Through this, it further aims to identify the way of existence of modern knowledge in East Asia based on research of book advertisements and ‘New Books' corner as well as other related articles published in the Xinmin Congbao. The Xinmin Congbao was published in 1902, Tokyo. It was distributed and disseminated in China via Guangzhi Book Company(廣智書局), a modern publisher in Shanghai. Refugee intellectuals and Chinese students in Tokyo were at the center of the formation of knowledge networks in Tokyo and Shanghai and the activities were based on translation and transfer of modern knowledge of the Meiji Japan. The Xinmin Congbao and Guangzhi Book Company provide a critical view of cultural history through which the way of existence of modern knowledge can be seen. Based on this work, we can learn the way of existence of modern knowledge in East Asia. First, when the Xinmin Congbao as a media source started introducing modern knowledge, it showed the new modern knowledge like a panorama, enabling open reading of knowledge. Knowledge moved so fast and was exposed to public discourse arenas and people could access an exponential amount of knowledge. Second, the introduction of books by the Xinmin Congbao tried to provide a broad view on modern knowledge of the Meji period. It interpreted the distribution of knowledge through study of books on specialized corners such as the 「Dongjiyuedan (東籍月旦)」 and through ‘Scholarly Biographies'(學案) which presented genealogy of knowledge. Third, the knowledge in the Xinmin Congbao moved fast to become a reading culture of Chinese youth, and at the same time met their political movement, resulting in views that saw interpretation of knowledge through this media as something subversive. Fourth, as students in Tokyo at that time who were also readers of the Xinmin Congbao became planners of the modern media, their magazines directly recorded modern knowledge of the Meiji period that they actually saw, heard, and experienced. The record of such experiences went from establishment of modern knowledge in notional words to further exposing the moments when the modern knowledge became critical while it was being experienced.
Abstract
This paper is aimed at providing a wider view on cultural history of modern books. Through this, it further aims to identify the way of existence of modern knowledge in East Asia based on research of book advertisements and ‘New Books' corner as well as other related articles published in the Xinmin Congbao. The Xinmin Congbao was published in 1902, Tokyo. It was distributed and disseminated in China via Guangzhi Book Company(廣智書局), a modern publisher in Shanghai. Refugee intellectuals and Chinese students in Tokyo were at the center of the formation of knowledge networks in Tokyo and Shanghai and the activities were based on translation and transfer of modern knowledge of the Meiji Japan. The Xinmin Congbao and Guangzhi Book Company provide a critical view of cultural history through which the way of existence of modern knowledge can be seen. Based on this work, we can learn the way of existence of modern knowledge in East Asia. First, when the Xinmin Congbao as a media source started introducing modern knowledge, it showed the new modern knowledge like a panorama, enabling open reading of knowledge. Knowledge moved so fast and was exposed to public discourse arenas and people could access an exponential amount of knowledge. Second, the introduction of books by the Xinmin Congbao tried to provide a broad view on modern knowledge of the Meji period. It interpreted the distribution of knowledge through study of books on specialized corners such as the 「Dongjiyuedan (東籍月旦)」 and through ‘Scholarly Biographies'(學案) which presented genealogy of knowledge. Third, the knowledge in the Xinmin Congbao moved fast to become a reading culture of Chinese youth, and at the same time met their political movement, resulting in views that saw interpretation of knowledge through this media as something subversive. Fourth, as students in Tokyo at that time who were also readers of the Xinmin Congbao became planners of the modern media, their magazines directly recorded modern knowledge of the Meiji period that they actually saw, heard, and experienced. The record of such experiences went from establishment of modern knowledge in notional words to further exposing the moments when the modern knowledge became critical while it was being experienced.
참고문헌 (20)
- 章學誠, "校讎通義⋅自序」文史通義⋅校讎通義", 廣文書局
- Joseph P, "A Social history of the Chinese Book-Books and Literati Culture in Late Imperial China" (2006), Hongkong University
- 남태우, "도서관의 신, 헤르메스를 찾아서" (2005), 창조문화
- 나카미네 시게토시, "독서국민의 탄생" (2009), 푸른역사
- 벤저민 엘먼, "성리학에서 고증학으로" (2004), 예문서원
- 문정진, "중국근대의 풍경" (2008), 그린비
- 양일모, "옌푸: 중국의 근대성과 서양사상" (2009), 태학사
- 이시다 다케시, "일본의 사회과학" (2003), 소화
- 전진성, "박물관의 탄생" (2004), 살림
- 주원준, "마테오 리치, 기억의 궁전" (1999), 이산
- 조르조 아감벤, "장치란 무엇인가" (2010), 난장
- 桑兵, "晩淸學堂學生與社會變遷" (2007), 廣西師範大學出版社
- 陳學恂, "中國近代敎育史資料匯編⋅學制演變" (1988), 上海敎育出版社
- 박현수, "김소월 시의 보편성과 토포스 연구", 한국현대문학연구, 7 (1999)
- 장인성, "토포스와 아이덴티티", 국제정치논총, 37(3) (1998)
- 주경철, "프랑스의 고문서보관서 제도", 역사비평, 36 (1997), 역사비평사
- 황호덕, "京城地理志, 이중언어의 장소론―채만식의 '종로의 주민'과 식민도시의 (언어) 감각", 대동문화연구, 51(51), pp.107~141 (2005), 대동문화연구원
- 章開沅, "論1903年江浙知識界的新覺性 In 癸卯年萬歲―1903年的革命思潮與革命運動" (2001), 華中師範大學出版社
- 張朋園, "廣智書局(1901-1915)―維新派文化事業機構之一", 中央硏究院近代史硏究所集刊, (2) (1971)
- 関本 仁, "早稻田大學講義錄『高等國民敎育』に関する一考察ー 「讀者俱樂部」におけるの声をがかりに", 早稻田大學大學院敎育學硏究科紀要 (2007)
