지식과 도상 ― 『新民叢報』 ‘圖畵’란의 인물초상에 대한 검토
Knowledge and Image: on Portraits of World Leaders and Renowned Thinkers Published in Late Qing Journal Xinmin Congbao
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In this essay I have discussed the place of visual representations in the modern knowledge system of China which was being formed in early 20th century. I have argued that Xinmin Congbao(新民叢報), the journal that dominated the Tokyo-Shanghai network of reform movement and played critical role in dissemination of ‘new’, ‘western’ knowledge and thinking in the first few years of the 20th century, also held the key to the door leading to the visual realm of the West. Portraits of political leaders of Western nations and of renowned thinkers and scientists of modern era not only set new standards of visual representation by showing new dimensions of how a person could be ‘portrayed’, it also helped the reception process of foreign concepts and ideas by relating it to and giving it concrete visual forms. The ‘Great faces’ which were to be looked upon were quickly replaced. Long tradition of portraying the Confucius ideals were soon to be forgotten. As the visual ‘enlightenment’ gave light to alien faces and new ideals, familiar images became remote and strange. Just as it was simply impossible even to remember how things were thought before the great Tsunami of Modern concepts and ideas swept through.
Abstract
In this essay I have discussed the place of visual representations in the modern knowledge system of China which was being formed in early 20th century. I have argued that Xinmin Congbao(新民叢報), the journal that dominated the Tokyo-Shanghai network of reform movement and played critical role in dissemination of ‘new’, ‘western’ knowledge and thinking in the first few years of the 20th century, also held the key to the door leading to the visual realm of the West. Portraits of political leaders of Western nations and of renowned thinkers and scientists of modern era not only set new standards of visual representation by showing new dimensions of how a person could be ‘portrayed’, it also helped the reception process of foreign concepts and ideas by relating it to and giving it concrete visual forms. The ‘Great faces’ which were to be looked upon were quickly replaced. Long tradition of portraying the Confucius ideals were soon to be forgotten. As the visual ‘enlightenment’ gave light to alien faces and new ideals, familiar images became remote and strange. Just as it was simply impossible even to remember how things were thought before the great Tsunami of Modern concepts and ideas swept through.
참고문헌 (34)
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