‘마음’의 윤리학 - 영화 『자객 섭은낭』에 대한 한 독법
Ethics of ‘heart’: A reading of movie The Assassin
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
This paper started from extremely private comprehension of Taiwanese director Hsiao-Hsien Hou's 2015 new film The Assassin. From beginning to end of the movie, main character Nie Yinniang's 'heart' became an issue. However, the movie doesn't give any expression or explanation for her. Hence, this paper traced Nie Yinniang's heart fluttering and the sympathies, and the reconstructed Nie Yinniang's 'heart'. First of all, Nie Yinniang's heart is a broken heart with pain of loss because she was betrayed and left. However, Nie Yinniang sublimated the feelings caused by the pain of loss, such as denial, anger or despair, in compassion where pain in other people was inferred from pain in her, not projecting out the feelings. Therefore, second, Nie Yinniang's mind is compassionate heart towards other people. This compassion is resolute ethical decision and choice to protect other people though she sacrificed herself. Nie Yinniang having compassion power that extends pain in her also to pain in other people is thoroughly governed by the law of nature and the rhythm of nature. As a result, Nie Yinniang's mind shares the life with the order of nature, the rhythm of nature and the time of nature, transcending the time of human beings and the order of human beings. The film The Assassin asks about ethical proposition of what nobility of human beings will be left and what will be left in the sublimity of nature (a great length of history) which transcends the cycle of human life by making Nie Yinniang's such mind become an issue.
Abstract
This paper started from extremely private comprehension of Taiwanese director Hsiao-Hsien Hou's 2015 new film The Assassin. From beginning to end of the movie, main character Nie Yinniang's 'heart' became an issue. However, the movie doesn't give any expression or explanation for her. Hence, this paper traced Nie Yinniang's heart fluttering and the sympathies, and the reconstructed Nie Yinniang's 'heart'. First of all, Nie Yinniang's heart is a broken heart with pain of loss because she was betrayed and left. However, Nie Yinniang sublimated the feelings caused by the pain of loss, such as denial, anger or despair, in compassion where pain in other people was inferred from pain in her, not projecting out the feelings. Therefore, second, Nie Yinniang's mind is compassionate heart towards other people. This compassion is resolute ethical decision and choice to protect other people though she sacrificed herself. Nie Yinniang having compassion power that extends pain in her also to pain in other people is thoroughly governed by the law of nature and the rhythm of nature. As a result, Nie Yinniang's mind shares the life with the order of nature, the rhythm of nature and the time of nature, transcending the time of human beings and the order of human beings. The film The Assassin asks about ethical proposition of what nobility of human beings will be left and what will be left in the sublimity of nature (a great length of history) which transcends the cycle of human life by making Nie Yinniang's such mind become an issue.
참고문헌 (20)
- "영화 『자객 섭은낭』(한국 개봉판)", ~
- "『刺客聶隱娘』 대본", ~ (2012)
- 김언하, "부산국제영화제에서 만나는 중국영화 2015" (2015), 세움
- 박수용, "시베리아의 위대한 영혼" (2014), 김영사
- 슈테판 츠바이크, "연민" (2007), 지식의숲
- 엘리자베스 퀴블러 로스, "상실 수업" (2005), 인빅투스
- 정범진, "앵앵전" (1995), 성균관대학교 출판부
- 정혜윤, "사생활의 천재들" (2013), 봄아필
- 죠수아 울프 솅크, "링컨의 우울증" (2009), 랜덤하우스
- 파커 J. 파머, "비통한 자들을 위한 정치학" (2011), 글항아리
- Bradley Warren, "On Heroines, High Heels and Hierarchies: Chanllenging the 68th Festival de Cannes' “Year Off”", SYNOPTIQUE, 4(2) (2016)
- 김명신, "여협의 유형적 특징에 대한 고찰", 대중서사연구, 6(1) (2001)
- 이지현, "허우 샤오시엔 영화에서의 시간 -질 들뢰즈(G. Deleuze)의 시간 개념을 중심으로-", 현대영화연구, 8(2), pp.167~196 (2012), 현대영화연구소
- 장일, "기억의 이미지, 역사의 이미지:허우 샤오시엔, 들뢰즈, 시간-이미지", 언론과 사회, 13(3), pp.71~94 (2005), 사단법인 언론과 사회
- 滕威, "侯孝賢: 拍“聶隱娘”, 我就憑一種感覺 ― 電影『刺客聶隱娘』戴錦華、張小虹、侯孝賢三人談", 南風窗, (19) (2015)
- 桃小寶, "『聶隱娘』爲什麼打動不了我", 电影新闻, ~ (2015)
- 毛靜一, "解讀電影『刺客聶隱娘』中“慢”的藝術", 電影文學, (4) (2016)
- 顧春芳, "“劍”與“鏡”:心靈的澄澈 ― 『刺客聶隱娘』的美學追求", 電影批評, (6) (2015)
- "‘자객 섭은낭’ 정성일 평론가 시네마톡"[URL]
- "허우샤오셴 인터뷰, 『자객섭은낭』으로 돌아온 거장 허우샤오셴 인터뷰"[URL]
