1930년대 베이핑(北平) 문예지와 ‘현대파’시

Abstract

In 1927, as the number of cultural people who left Beiping due to political changes increased, the literary circles in the Beiping also turned desolate. At this time, literary magazines, which would mediate the readers and the literary men, had appeared. And the literary periodicals had a great influence on the development of the Beiping's literary world. In the 1930s, the Literature Quarterly, Academic, Mercury, Xiaoya and Literary Magazine consecutively launched, and then the Beiping's literary world began to revive. Mercury was a monthly periodical, which was firstly published on 10 October, 1934 and lastly published on 10 June 1935. Although prose⋅peotry⋅novels were introduced in Mercury, proses were mostly introduced in Mercury. Nevertheless, we should pay attention to Mercury in history of modern poetry, because Bian Zhilin, the representative poet of the modern poetry, participated in the editorial activity and because Mercury has influenced the development of the modern poetry with Hyundai of the Shanghai literary magazine. In June 1936, Xiaoya was launched with the microscopic purpose of providing a platform for young youth poets who were not able to obtain the space for publishing as well as the macro-purpose of the development of the new poetry. Unfortunately, in July 1937, with the outbreak of the Sino-Japanese War, the Xiaoya, which actively led Beiping's poetry circles, disappeared in the history of Chinese modern poetry. Also, since many young poets, whom Xiaoya paid attention to, had also plunged into the reality of war with the fate of the magazine, the value of Xiaoya as research material was also reduced. Therefore, analyzing and introducing the features of the works in the Xiaoya will surely require the task of recalling forgotten young poets.