문학번역의 곁텍스트 리프레이밍: 소설 『허삼관매혈기』를 중심으로
Chronicle of a Blood Merchant: The paratextual reframing of narrative in translated literary texts
0
조회
0
다운로드
10
인용
0
참고문헌
키워드
초록
Developments and applying of social narrative theories in translation studies in recent years (Baker 2006; Boéri 2008; Summers 2013) have led to the issue of different interpretations about texts in the social contexts of a different culture through translation. Particularly in the reception of literary texts across cultures, the changing patterns of interpretation also emerges frequently from source and translated texts. Drawing from this insight, understanding interpretations as a narrative that is reconstructed in translation, this article aims to the issue of translation and interpretation across cultures by analyzing paratexts, which act as powerful interpretive frames. The focus is on the description about how the interpretation of a Chinese novel 『Chronicle of a Blood Merchant』 written by one of the most internationally successful Chinese writers Yu Hwa, who has already acquired emblematic status in Chinese contemporary literature, has been reconstructed in Korean translation and English translation by analyzing their narratives in paratexts and on exploration on the role of the paratexts in the studies of translated literary works. The shifts in narratives of the paratexts in Korean translation and English translation of 『Chronicle of a Blood Merchant』 demonstrate the vast differences of the interpretations of a literary work through translation. And it also shows that paratexts play a crucial role in reframing of the narratives of a literary work through translation. 『Chronicle of a Blood Merchant』’s example not only affirms that translation of a literary work can bring about very different interpretations across cultures, but also suggests that in the case of translated literature, paratexts, as the interpretive frame of the text, can be a key site that represents a very vast interpretations of the text by the contact of different languages and cultures.
Abstract
Developments and applying of social narrative theories in translation studies in recent years (Baker 2006; Boéri 2008; Summers 2013) have led to the issue of different interpretations about texts in the social contexts of a different culture through translation. Particularly in the reception of literary texts across cultures, the changing patterns of interpretation also emerges frequently from source and translated texts. Drawing from this insight, understanding interpretations as a narrative that is reconstructed in translation, this article aims to the issue of translation and interpretation across cultures by analyzing paratexts, which act as powerful interpretive frames. The focus is on the description about how the interpretation of a Chinese novel 『Chronicle of a Blood Merchant』 written by one of the most internationally successful Chinese writers Yu Hwa, who has already acquired emblematic status in Chinese contemporary literature, has been reconstructed in Korean translation and English translation by analyzing their narratives in paratexts and on exploration on the role of the paratexts in the studies of translated literary works. The shifts in narratives of the paratexts in Korean translation and English translation of 『Chronicle of a Blood Merchant』 demonstrate the vast differences of the interpretations of a literary work through translation. And it also shows that paratexts play a crucial role in reframing of the narratives of a literary work through translation. 『Chronicle of a Blood Merchant』’s example not only affirms that translation of a literary work can bring about very different interpretations across cultures, but also suggests that in the case of translated literature, paratexts, as the interpretive frame of the text, can be a key site that represents a very vast interpretations of the text by the contact of different languages and cultures.
참고문헌 (45)
- 김기영, "내러티브를 통해 살펴본 국제뉴스 현지화 현상—한미FTA 관련 뉴스 사례분석", 번역학연구, 14(2), pp.39~63 (2013), 한국번역학회
- 김순미, "번역 텍스트 내의 정치적 내러티브 리프레이밍—CNN의 ‘아랍의 봄’ 보도 번역을 중심으로", 번역학연구, 14(2), pp.65~102 (2013), 한국번역학회
- 김태성, "인민을 위해 복무하라" (2008), 웅진씽크빅
- 김하나, "중국 근대 번역의 두 가지 방향 —『신청년(新靑年)』과 린수(林紓)의 소설 번역을 중심으로", 번역학연구, 15(1), pp.85~110 (2014), 한국번역학회
- 김혜리, "독자, 텍스트, 시 –문학작품의 상호교통이론" (2008), 한국문화사
- 백계문, "루쉰" (2014), 한울아카데미
- 심혜영, "1990년대 위화(余華) 소설의 휴머니즘과 미학", 중국현대문학, (39), pp.355~389 (2006), 한국중국현대문학학회
- 이욱연, "포스트 사회주의 시대의 중국문화" (2009), 서강대학교 출판부
- 유경철, "‘운명’과 이에 대면한 위화의 인물들 ― 위화(余華) 소설의 변화 과정에 관한 일 고찰", 중국현대문학, (46), pp.93~128 (2008), 한국중국현대문학학회
- 유세종, "루쉰과 첸리췬(錢理群)", 중국현대문학, (60), pp.299~314 (2012), 한국중국현대문학학회
- 윤영도, "물의 이미지를 통해 본 위화의 소설세계", 오늘의 문예비평, 67, pp.147~163 (2007)
- 양선희, "취미 삼아 낙태하는 여성은 없다", 중앙일보, ~ (2016)
- 최용만, "허삼관매혈기" (2014), 푸른숲
- 지영래, "번역본에서의 곁텍스트의 위상: 마담 보바리의 번역본을 중심으로", 번역학연구, 11(3), pp.247~276 (2010), 한국번역학회
- 전성욱, "위화(余華) 소설의 한국 수용에 대하여", 중국현대문학, (73), pp.159~188 (2015), 한국중국현대문학학회
- 한미선, "풍자소설 번역에서의 곁텍스트 기능 및 특징: 걸리버 여행기와 동물농장을 중심으로", 번역학연구, 14(4), pp.199~223 (2013), 한국번역학회
- 홍석표, "중국현대문학사" (2009), 이화여자대학교 출판부
- Baker, Mona, "Translation and Conflict" (2006), Routledge
- Baker, Mona, "Translation studies", pp.189~208 (2009), Routledge
- Bassnett, Susan, "Translation" (2014), Routledge
- Boéri, Julie, "A narrative account of the Babels vs Naumann controversy: competing perspectives on activism in conference interpreting", The Translator, 14(1), pp.21~50 (2008)
- Esperanca, Bielsa, "Translation and the International Circulation of Literature: A Comparative Analysis of the Reception of Roberto Bolano’s Work in Spanish and English", The Translator, 19(2), pp.157~181 (2014)
- Genett, Gerard, "Paratexts : thresholds of Interpretation" (1987), Cambridge
- Lefevere, André, "Translation, Rewriting and the Manipulation of Literary Fame" (1992), Routledge
- Hou, Pingping, "Text, Extratext, Metatext and Paratext in Translation", pp.33~48 (2013), Cambridge Scholars
- Jones, Andrew F, "Chronicle of a Blood Merchant" (2003), Anchor
- Kung, SzuWen, "Text, Extratext, Metatext and Paratext in Translation", pp.49~68 (2013), Cambridge Scholars
- Summers, Caroline, "Text, Extratext, Metatext and Paratext in Translation", pp.9~32 (2013), Cambridge Scholars
- Tahir-Gürcaglar, Sehnaz, "Crosscultural Transgressions", pp.44~60 (2002), St. Jerome
- Tymoczko, Maria, "Enlarging translation, Empowering translator" (2007), St. Jerome
- Urpo, Kovala, "Translations, Paratexual Mediation and Ideological Closure", Target, 8(2), pp.119~147 (1996)
- 蔡志全, "副文本理论及其在翻译研究中的现状述评", 海外英语, (3) (2013)
- 葛校琴, "副文本翻译中的译本制作者控制-以译本 当中国统治世界为例", 山东外语教学, (2) (2015)
- 胡莉莉, "鲁讯文学译作的副文本探析", 北京科技大学学报社会科学版, (3) (2011)
- 劉勇, "中國現當代文學" (2015), 中國人民大學出版社
- 黄艳群, "翻译副文本研究的新进展 : 翻译中的文本, 外文本, 元文本和副文本评价", 外语艺术教育研究, (1) (2015)
- 李小婷, "我心目中的当代文学经典-余华的许三观卖血记", 青春岁月, (2) (2013)
- 宋剑华, "许三观卖血记-荒诞而真实的苦难叙事", 齐鲁学刊, (2) (2012)
- 肖丽, "副文本之于翻译研究的意义", 上海翻译, (4) (2011)
- 余華, "兄弟" (2010), 作家出版社
- 余華, "在細雨中呼喊" (2011), 作家出版社
- 余華, "許三觀賣血記" (2012), 作家出版社
- 余華, "第七日" (2013), 新星出版社
- 张玲, "Translation Peripheries : Paratextual Elements in Translation 述评-翻译研究的副文本视角", 上海翻译, (2) (2013)
- 郑玮, "副文本研究-翻译研究中不可忽视的一环", 杭州电子科技大学学报, (2) (2011)