중국어 자유간접화법의 한국어 번역 양상 고찰― 다음성 효과 재현을 중심으로
Reproducing the polyphonic effects of free indirect discourse in the Korean translation of Lao She’s Rickshaw Boy
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The purpose of this study is to examine how free indirect discourse (FID) is reproduced in the Korean translation of Lao She’s novel 駱駝祥子 (Rickshaw Boy) and to determine whether the polyphonic effect of FID is properly realized in the translation. The main findings are as follows: Less than half of the instances of FID in the source text were preserved in the translation; the other instances were transformed into a hybrid form combining FID and free direct discourse, converted entirely to free direct discourse, direct discourse, or omitted altogether in the translation. These alterations resulted in a loss or weakening of the intended polyphonic effect. FID is a crucial consideration in the translation of novels. As a stylistic device, it merges the voices of the narrator and the characters, thereby producing a polyphonic effect within a sentence. The translation problems observed in this study may be attributed to the translator’s limited appreciation of the polyphonic potential in FID passages. Additionally, the presence of ambivalent Chinese phrases and indicators reflecting the subjective emotions of key characters affected the ability to reproduce the polyphonic effect of the source text. Therefore, it is argued that translators should be aware of the stylistic losses that may occur when translating FID into non-FID forms. They should also balance the voice markers of both the narrator and the characters to effectively recreate the polyphonic effects of the novel.
Abstract
The purpose of this study is to examine how free indirect discourse (FID) is reproduced in the Korean translation of Lao She’s novel 駱駝祥子 (Rickshaw Boy) and to determine whether the polyphonic effect of FID is properly realized in the translation. The main findings are as follows: Less than half of the instances of FID in the source text were preserved in the translation; the other instances were transformed into a hybrid form combining FID and free direct discourse, converted entirely to free direct discourse, direct discourse, or omitted altogether in the translation. These alterations resulted in a loss or weakening of the intended polyphonic effect. FID is a crucial consideration in the translation of novels. As a stylistic device, it merges the voices of the narrator and the characters, thereby producing a polyphonic effect within a sentence. The translation problems observed in this study may be attributed to the translator’s limited appreciation of the polyphonic potential in FID passages. Additionally, the presence of ambivalent Chinese phrases and indicators reflecting the subjective emotions of key characters affected the ability to reproduce the polyphonic effect of the source text. Therefore, it is argued that translators should be aware of the stylistic losses that may occur when translating FID into non-FID forms. They should also balance the voice markers of both the narrator and the characters to effectively recreate the polyphonic effects of the novel.
참고문헌 (28)
- 老舍, "駱駝祥子" (1962), 人民文学出版社
- 심규호, "낙타샹즈" (2008), 황소자리
- 김종로, "자유간접화법의 다음성적 분석", 불어불문학연구, 36(2), pp.427~446 (1998)
- 노은주, "한국어 전달문의 혼합유형에 관한 몇 가지 관찰 — 자유간접화법과 내포직접화법을 중심으로", 담화와 인지, 28(2), pp.75~98 (2021)
- 박선희, ""마담 보바리"의 자유간접문체의 번역비평 — ‘말’ 번역을 중심으로", 프랑스문화예술연구, 23, pp.145~181 (2008)
- 박선희, "자유간접화법의 불한번역에서 다음성 재현에 관한 연구", 번역학연구, 12(3), pp.55~82 (2011)
- 박선희, "자유간접화법의 번역 이론 비교 고찰", 통번역학연구, 13(2), pp.101~120 (2011)
- 박선희, "문학 번역에서 자유간접화법, 어떻게 번역할 것인가?", 번역학연구, 16(5), pp.39~60 (2015)
- 박선희, "자유간접문체 번역의 다음성 재현 : 에밀 졸라의"목로주점"의 경우", 동서비교문학저널, 36, pp.31~50 (2016)
- 박선희, "한국어 자유간접문체에서 다음성을 만드는 내부 지표 연구 : "보바리 부인"과"목로주점"번역 사례", 통번역학연구, 22(3), pp.89~116 (2018)
- 서영환, ""더블린 사람들"(Dubliners)에 나타난 자유간접문체 번역 분석", 현대영미어문학, 36(1), pp.217~240 (2018)
- 정하연, "내면서사 번역의 가능성 — 버지니아 울프의"등대로"에 나타나는 자유간접문체를 중심으로", 번역학연구, 16(3), pp.247~271 (2015)
- 조의연, "최대의 적합성으로 본 자유직접화법 —"엘리베이터에 낀 그 남자는 어떻게 되었나"를 중심으로", 통번역학연구, 16(1), pp.177~203 (2012)
- 한국문학평론가협회, "문학비평용어사전(하)" (2006), 국학자료원
- 한미애, "서술의 다양성을 번역하기 —"부랑일기"를 중심으로", 번역학연구, 12(1), pp.263~283 (2011)
- 한미애, "인지시학적 관점의 문체번역 연구 — 황순원의 단편소설을 중심으로", 박사, 영어영문학과, pp.2013
- 한원형, "문장부호 ‘?’ ‘!’의 한일 대조 연구", 일본언어문화, 18, pp.313~330 (2011)
- 單清叢, "漢語自由轉述體在韓國語譯本的對應類型研究 — 以余華小說《許三觀賣血記》韓譯本為例", 한중인문학연구, 76, pp.299~326 (2022)
- 申丹, "也談中國小說敘述中轉述語的獨特性 — 兼與趙毅衡先生商榷", 北京大學學報, 1991(4), pp.76~79 (1991)
- 申丹, "敘述學與小說文體學研究" (2019), 北京大學出版社
- 孫會軍, "從《駱駝祥子》英譯本對引語模式的處理看小說風格的再現", 外語研究, 2013(4), pp.76~80 (2013)
- 楊斌, "英語小說自由間接引語的翻譯", 解放軍外國語學院學報, 28(2), pp.71~75 (2005)
- 王林, "句子上的敘事：談自由間接話語的翻譯處理", 外語教學與研究, 46(2), pp.294~302 (2014)
- 潘冬, "漢語自由間接話語英譯的譯者行為研究 — 以葛浩文英譯《駱駝祥子》為例", 北京第二外國語學院學報, 3, pp.58~70 (2020)
- 黃立波, "《駱駝祥子》三個英譯本中敘述話語的翻譯 — 譯者風格的語料庫考察", 解放軍外國語學院學報, 37(1), pp.72~99 (2014)
- Hagenaar, E., "Reported speech: Forms and functions of the verb", pp.289~298 (1996), John Benjamins Publishing
- Fludernik, M, "The fictions of language and the languages of fiction: The linguistic representation of speech and consciousness" (1993), Routledge
- Leech, G., "Style in fiction : Linguistic introduction to English fictional prose" (2007), Longman