나혜석과 판위량의 작품에 나타난 여성주의 연구

Abstract

Pan Yuliang, the first-generation female western painters who lived in Korea and China, contain resistance to the times from a feminist point of view. Until now, major papers related to feminism have described the history of international feminism, focusing on the history of English and American art. Na Hye-seok and Pan Yuliang, the subjects of study, are first remembered as the new women who were conflicting with the times, and the heroins of unconventional scandal, but they were the pioneers of the women's liberation movement. Na Hye-Seok and Pan Yuliang born in the feudal society of Asia, living the turbulent ages produce works that reflect the awareness and experience of women. As subjective women, they honestly expressed her feelings about her life, freedom and sex. To analyze the feminist perspective in Na Hye-seok and Pan Yuliang's works from various angles, the researcher examined how the social situation of modern Korea and China, the process of accepting westernization of art, and the social existence of modern female artists are related to the works. Also, by comparing the two female Western painting artists who were active in the establishment of modern art in Korea and China, it was confirmed that feminist discourse was contained in the work despite the cultural difference in time and space. Through this paper, the researcher was able to deepen and expand the areas of comparatively marginalized and insufficient Asian women's art community and women's art criticism by studying with Pan Yuliang, who has little prior research at home and abroad. In the future, if the evaluation of Pan Yuliang continues to be made and if it leads to further study how Na Hye-Seok and Pan Yuliang became the other of contemporary art, it is expected that the history of Oriental feminist art will be re-established.