루쉰의 신흥 목판화 운동에 나타난 미학적 특성에 관한 연구
Research on the Lu Xun’s Aesthetics Character in Modern Woodcut Movement
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본 논문의 목적은 신흥 목판화 운동 중 루쉰이 도입한 서양창작 판화 기법과 당시 중국 청년 판화가들의 작품에 나타난 루쉰의 계몽·평등·개인의 자립사상 내용을 분석하여 중국에서 일어난 최초의 미술운동으로서의 의미를 찾아봄으로써 신흥 목판화운동에 나타난 루쉰의 미학적 특성을 연구하고자 한다. 연구 방법은 첫째, 루쉰이 귀국한 후 중국 내의 사회 구조 현황과 인민 생활에 나타난 루쉰 사상에대한 분석이고 둘째, 1930년 신흥 목판화 운동의 시작에서부터 1936년 루쉰이 사망하기까지 전개된목판화 전시, 간행된 목판화 잡지 및 신흥 목판화 단체 활동을 중심으로 신흥 목판화의 발전 과정을이해하고 신흥 목판화 운동에 대해 분석하였다. 셋째, 문헌고찰을 통해 <루쉰전집>, <루쉰서신집>, <루쉰일기> 등 표현된 루쉰의 신흥 목판화 운동에 대한 추진 방법과 작품 평가에 나타난 루쉰의 미학적 특성을 고찰하였다. 마지막으로, 신흥 목판화 운동에 나타난”만물””자기인식””미화” 공리미술과민주화 사상을 바탕으로 중국 최초의 미술 운동으로서의 의미를 찾아내어 현재 중국의 미술이 겪는문제를 해결할 수 있도록 제안한다. 루쉰의 미학적 특성은 신흥 목판 화가들을 지도하면서 모든 계층이 이해하고 시각적 이미지를 통하여 공감이라는 감정을 불러 일으키는 신흥 목판화 운동을 진행한다. 연구 결과 신흥 목판화 운동에는 민중의 진정한 계몽과 공감을 이끌어내고자 하는 루쉰만의 미학적특성이 나타나며 이를 통해 신흥목판화의 역할이 대중들에게 자아를 확립하는데 도움을 준 계몽의 조력자임을 알 수 있다.
Abstract
The purpose of this paper is to study the aesthetic characteristics of Lu Xun in the emerging woodcut movement by analyzing the Western creative printmaking techniques introduced by Lu Xun during the movement and Lu Xun’s ideas of enlightenment, equality, and personal self-reliance in the works of the young Chinese printmakers of the time, to find its significance as the first art movement to take place in China. The research method will first analyze on Lu Xun’s thought according to current social structure and people’s life after study abroad. Secondly, during the beginning of the modern woodcut movement in 1930 to Lu Xun’s death in 1936, the woodcut exhibition held by Lu Xun, woodcut magazines and the activities of the modern woodcut association led by Lu Xun as the center, try to understand the development process of modern woodcut and have a comprehensive understanding of the modern woodcut movement. Thirdly, through the literature research method, research on the evaluation from Lu Xun to the modern woodcut product and promoted the modern woodcut movement reflected in the ≪Complete Works of Lu Xun≫, ≪Lu Xun's Letters≫ and ≪Lu Xun’s Diary≫ in order to grasp Lu Xun’s aesthetic feature. At last, base on the”Everything””Thinking””Beautify” Utilitarianism Art, democratization of art from the Modern Woodcut movement, understand the meaning of the first art movement in China, in order to solve the design problem faced by China now. Lu Xun’s aesthetic feature is to guide the modern woodcut artists while start the modern woodcut movement that all classes can understand and resonate through visual images. The research results show that Lu Xun’s unique aesthetic feature appeared in the modern woodcut movement, which hope to arouse the real enlightenment and resonance of the public. It can be seen that the role of the modern woodcut is an assistant to help the public establish self-enlightenment.
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