Allusion as a Poetic Mode in Li Shangyin's Poetry on History
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A great deal of Li Shangyin's (ca. 812-858) poetry on history, a subgenre in Chinese classical verse, is outstanding among similar works by his contemporaries and by poets of previous ages. And in writing his poems on history, allusion served as an important mode for him. Centering round a major feature of his poetry on history, that is, the combination of traditional attitudes toward history with satire and irony, this article tackles the poet's artful manipulation of different modes of reading allusion, especially historical allusions. Through an analysis of selections from his allusive poems on historical themes, the article reveals how Li Shangyin's poetry on history produces a metaphorical and allegorical effect while using historical events as a moral mirror to reflect the political present.
Abstract
A great deal of Li Shangyin's (ca. 812-858) poetry on history, a subgenre in Chinese classical verse, is outstanding among similar works by his contemporaries and by poets of previous ages. And in writing his poems on history, allusion served as an important mode for him. Centering round a major feature of his poetry on history, that is, the combination of traditional attitudes toward history with satire and irony, this article tackles the poet's artful manipulation of different modes of reading allusion, especially historical allusions. Through an analysis of selections from his allusive poems on historical themes, the article reveals how Li Shangyin's poetry on history produces a metaphorical and allegorical effect while using historical events as a moral mirror to reflect the political present.
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