김안로의 『희락당고』 한시 연구 - 유배체험과의 관련을 중심으로

Abstract

This study aims to analyze the works focusing on the Chinese poems published in an anthology of Kim An-ro titled in Heerakdanggo (希樂堂稿), thereby reorganizing and evaluating his life and literary works. For Kim An-ro, the life after releasing from the exile is distinct from the days before his exile, when he stuck to his self-conscious as a member of Sarim faction. During his exile, it was a period of resentment, depression, repentance, and self-blame for Kim An-ro, meanwhile, the writing was a means that relieves him from boring and lonesome. Most of his writings in youth, by revealing the aspect as a Confucian scholar who enlightens people. However, during his exile, he created many Chinese poems that can gauge his sensitivity and writing ability, and after being released from exile, most of his works involve the Chinese poems that contemplatively recited his realization on the art of living. As such, it is very specific that he created only moral prose before the exile and the symbolic and satirical Chinese poems after the exile. Heerakdanggo, in particular, is characterized by a footnote, which is a unique style and was hardly seen at that time. It is interpreted that he cited the difficult precedents and samples of old times as well as the rough and tough characters to hide his true feelings, but made the detailed footnotes in fear that others might misread his writings. This study doesn’t intend to unconditionally affirm or excuse Kim An-ro, who is regarded as a treacherous retainer but attempts to highlight his literary artistic ability that was depreciated thus far, and to find out the symbolic meanings hidden in his poetry by giving accurate meanings. Through this process, it is anticipated that this study would be a work that can get closer to the reality of Kim An-ro.