『희락당고』 소재 한시 주석 연구

Abstract

This study focused on deducing the practice of Sino-Korean poetic creation and reading range of literary men of Kawngak, and the philological basis that originated Haedong Gangseo poetry group (海東江西詩派) in the age of King Jungjong by analyzing the annotation of Sino-Korean poetry written by Huirakdang (希樂堂), Kim Anro (金安老) who was the member of Hungu faction in early 16th century. It is impossible to infer the books that Kim Anro actually studied and referred to from the information exposed in the contents of Kim Anro’s annotation. Therefore, tracking the citations that were included in limited reference among the poetries cited in annotation, comparing and reviewing some annotations that exactly match up with certain contents, verbal structure and even errors of the reference, it was induced that Kim Anro actively referred to 『Samunryu Chwi, 事文類聚』 and 『Unbugunok, 韻府群玉』 while making the annotations. The fact that Chinese classical encyclopedias (類書) and rhyming dictionary (韻書) were used to enumerate the source of quoted passages means, in other words, poets wrote their works by means of Chinese classical encyclopedias (類書) and rhyming dictionary (韻書) that enable them to search the themes and subject matters of poetry from the stage of composing poetry. By the virtue of Chinese classical encyclopedias (類書) and rhyming dictionary (韻書), the poets of the time who followed the poetry of Song Dynasty were able to secure fresh subjects for poetry and discreetly make use of authentic precedents. Kim Anro’s versification is closely linked to Jiangxi poetry group (江西詩派) and this shows that he was greatly affected by the poetic path of his father, Kim Heun(金訢) and the records archived in his family. Kim Anro studied three famous poets of Jiangxi poetry group: Huang Tingjian (黃庭堅), Chen Shidao (陳師道), Chen Yuyi (陳與義) by reading Sayong’s annotated edition 『Sangokoejipsiju, 山谷外集詩注』, Lim Yeon’s annotated edition 『Sangoknaejipsiju,山谷內集詩注』, Lim Yeon’s annotated edition 『Husansiju, 后山詩注』, Ho Chi’s annotated edition 『Jeonjuganjaesijip, 箋注簡齋詩集』. Also, he read Gaochufang’s annotated edition 『Bojudusi, 補註杜詩』 to learn about Dufu (杜甫), who is the prominent Chinese poet of the Tang dynasty and is considered a model for Jiangxi poetry group, and studied the poetries of Sushi and Wang Anshi through reading Wang Shipeng’s annotated edition 『Dongpasijipju, 東坡詩集注』 and Lee Byeok’s annotated edition 『Okhyeonggongsiju, 王荊公詩注』. The chinese classical encyclopedias (類書) and rhyming dictionary (韻書) that are represented by 『Samunryu Chwi, 事文類聚』 and 『Unbugunok, 韻府群玉』, various versions of annotation books on Dufu’s poems, annotated editions of Jiangxi poetry collection from Song dynasty era were on the library list of Joseon literary men. And studying these literature materials had a decisive effect on improving their perspective on the chinese poetry. These literature materials were actively used as a method or repository of authentic precedents, and became the philological basis for Song poetry, that put great emphasis on erudition and use of authentic precedents, to flourish.