자본주의의 유년시대에서 예술의 위기와 가능성을 읽다 -발터 벤야민의 문화예술론과 마르크스주의
Reading Crises and Possibilities of Literature and Art in the Childhood of Capitalism : Walter Benjamin and Marxism
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Walter Benjamin is considered as a post-modern culture theorist in general, yet the fact that his theory is closely connected with Marxism is often neglected. This essay scrutinizes Benjamin's theory on culture and film especially illuminating its relationship with Marxism. His main conecern is to criticize mass influences of Phantasmagoria of capitalist market and encourage the mass to confirm their class consciousness. To achieve this purpose, it is definitely important for him to show the 'facts' as they are, not opinions or ideologies. This is one of the reasons why he uses montage as his writing technique. In addition, his preference of montage and image-thought to conceptual thought explains his belief in the power of new forms of art such as photography and film. Now that we are living in the era of mass mechanical reproduction, we should make use of diverse kinds of reproductive effects in the field of art and literature. This could mean that art and literature should change themselves according to the changes of technologies and markets.
Abstract
Walter Benjamin is considered as a post-modern culture theorist in general, yet the fact that his theory is closely connected with Marxism is often neglected. This essay scrutinizes Benjamin's theory on culture and film especially illuminating its relationship with Marxism. His main conecern is to criticize mass influences of Phantasmagoria of capitalist market and encourage the mass to confirm their class consciousness. To achieve this purpose, it is definitely important for him to show the 'facts' as they are, not opinions or ideologies. This is one of the reasons why he uses montage as his writing technique. In addition, his preference of montage and image-thought to conceptual thought explains his belief in the power of new forms of art such as photography and film. Now that we are living in the era of mass mechanical reproduction, we should make use of diverse kinds of reproductive effects in the field of art and literature. This could mean that art and literature should change themselves according to the changes of technologies and markets.
참고문헌 (6)
- 벤아민, "아케이드 프로젝트" (2005), 새물결
- 벤야민, "기술복제시대의 예술작품: 사진의 작은 역사 (외)" (2007), 길
- 벤야민, "일방통행로: 사유이미지" (2007), 길
- 루카치, "역사와 계급의식: 맑스주의 변증법연구" (1986), 거름
- 아도르노, "부정변증법" (1999), 한길사
- 최성만, "벤야민에서 중간의 미학과 정치학", 문예미학, (8), pp.101~116 (2001), 문예미학회